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The Crucible is a 1953 play by the American playwright Arthur Miller. It is a dramatized and partially fictionalized [ 1 ] story of the Salem witch trials that took place in the Province of Massachusetts Bay from 1692 to 1693.
Arthur Asher Miller (October 17, 1915 – February 10, 2005) was an American playwright, essayist and screenwriter in the 20th-century American theater.Among his most popular plays are All My Sons (1947), Death of a Salesman (1949), The Crucible (1953), and A View from the Bridge (1955).
The Urban Crucible: Social Change, Political Consciousness and the Origins of the American Revolution (1979) Race, Class and Politics: Essays on American Colonial and Revolutionary Society (1986) Forging Freedom: The Formation of Philadelphia's Black Community, 1720–1840 (1988) Race and Revolution: The Inaugural Merrill Jensen Lectures (1990)
Giles Corey (bapt. Tooltip baptized 16 August 1611 – 19 September 1692) was an English-born farmer who was accused of witchcraft along with his wife Martha Corey during the Salem witch trials in the Province of Massachusetts Bay.
Jean-Paul Sartre began writing the script in late 1955, [2] during what author David Caute defined as "the height of his rapprochement with the Soviet Union". He was inspired by the success of Marcel Aymé's French-language adaptation of Miller's The Crucible, titled Les sorcières de Salem, which was staged in Paris' Sarah Bernhardt Theater, starring Simone Signoret as Elizabeth Proctor.
The Crucible is a 1961 English language opera written by Robert Ward based on the 1953 play The Crucible by Arthur Miller. It won both the 1962 Pulitzer Prize for Music and the New York Music Critics Circle Citation. The libretto was lightly adapted from Miller's text by Bernard Stambler.
For example, the recently re-discovered Fourth Commentary on the Gospels by Fortunatianus of Aquileia has a comment by its English translator: "The principal characteristic of Fortunatianus' exegesis is a figurative approach, relying on a set of concepts associated with key terms in order to create an allegorical decoding of the text."
The form is named after the third-century-BC Greek cynic parodist and polemicist Menippus. [7] His works, now lost, influenced the works of Lucian (2nd century AD) and Marcus Terentius Varro (116–27 BC), the latter being the first to identify the genre by referring to his own satires as saturae menippeae; such satires are sometimes also termed Varronian satire.