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Pages in category "Poems about death" The following 55 pages are in this category, out of 55 total. This list may not reflect recent changes. A.
Barnard includes "Death & Co." among a number of Plath's "baby" poems where infants appear as part of "an imagery of disintegration and death." [6] The chiming of "The dead bell/The dead bell" commemorates the refrigerated corpses of stillborn babies in a maternity ward. [7]: He tells me how sweet The babies look in their hospital Icebox, a simple
At its narrowest, the term "Graveyard School" refers to four poems: Thomas Gray's "Elegy Written in a Country Churchyard", Thomas Parnell's "Night-Piece on Death", Robert Blair's The Grave and Edward Young's Night-Thoughts. At its broadest, it can describe a host of poetry and prose works popular in the early and mid-eighteenth century.
John Lydgate's Dance of Death is a Middle English poem written in the early 15th century. It is a translation of a French poem of the same name, and it is one of the most popular examples of the Danse Macabre genre. [31] The poem is a moral allegory in which Death leads a procession of people from all walks of life to their graves.
Aubade" is a poem by the English poet Philip Larkin, ... Larkin described it as an "in-a-funk-about-death" poem. [4] References in popular culture
The Raven and Other Poems, Wiley and Putnam, New York, 1845. Poe first brought "The Raven" to his friend and former employer George Rex Graham of Graham's Magazine in Philadelphia. Graham declined the poem, which may not have been in its final version, though he gave Poe $15 (equivalent to $491 in 2023) as charity. [31]
Illustration for "The Conqueror Worm", by W. Heath Robinson, 1900 "The Conqueror Worm" is a poem by Edgar Allan Poe about human mortality and the inevitability of death. It was first published separately in Graham's Magazine in 1843, but quickly became associated with Poe's short story "Ligeia" after Poe added the poem to a revised publication of the story in 1845.
Philip B. Anderson said the lyrics of Death's Jest Book, exemplified by "Sibylla's Dirge" and "The Swallow Leaves Her Nest", are "Beddoes' best work. These lyrics display a delicacy of form, a voluptuous horror, an imagistic compactness and suggestiveness, and, occasionally, a grotesque comic power that are absolutely unique." [8]