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Rumba instrumentation has varied historically depending on the style and the availability of the instruments. The core instruments of any rumba ensemble are the claves, two hard wooden sticks that are struck against each other, and the conga drums: quinto (lead drum, highest-pitched), tres dos (middle-pitched), and tumba or salidor (lowest-pitched).
In the late 1930s and early 1940s, a fusion of bambuco and Afro-Cuban music was developed in Colombia by artists such as Emilio Sierra, Milciades Garavito, and Diógenes Chaves Pinzón, under the name rumba criolla (creole rumba). [19] Rumba criolla is classified into different regional styles such as rumba antioqueña and rumba tolimense. [20]
Cajón de rumba Mahogany Supertumba by 63rd Street Percussion. The cajones de rumba are wooden boxes used as rhythmic percussion instruments in some styles of Cuban rumba. There are different types of cajones, namely the cajón tumbadora, the cajón bajo and the cajita, all of which are hand-struck.
Rumba clave is the key pattern used in Cuban rumba. The use of the triple-pulse form of the rumba clave in Cuba can be traced back to the iron bell (ekón) part in abakuá music. The form of rumba known as columbia is culturally and musically connected with abakuá which is an Afro Cuban cabildo that descends from the Kalabari of Cameroon ...
Rumba clave in duple-pulse and triple-pulse structures. Rumba clave is the key pattern (guide pattern) used in guaguancó. There is some debate as to how the 4/4 rumba clave should be notated for guaguancó. [1] In actual practice, the third and fourth stroke often fall in rhythmic positions that do not fit neatly into music notation. [2]
Other typical Cuban forms are the habanera, the guaracha, the danzón, the rumba, the bolero, the chachachá, the mambo, the punto, and many variations on these themes. [5] Cuban music has been immensely popular and influential in other countries.
As a genre, tahona is considered a style of Cuban rumba, and together with yambú it is one of the oldest. [3] However, it differs from the canonical rumba styles in the fact that it developed in the eastern part of Cuba, the Oriente Province , due to the immigration of Haitian slaves following the Haitian Revolution of the 1790s.
A basic form of the secondary resolution quinto phrase. Havana born Mongo Santamaría (1917-2003) was a tremendous quintero, and at one time, the most famous conga drummer in the world. He was one of the first to record traditional rumba: Afro-Cuban Drums (1952), Changó (1954), Yambú (1958), Mongo (1959), and Bembé (1960). Santamaría's ...