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We Need to Do Something is a 2021 American psychological horror film directed by Sean King O'Grady and starring Sierra McCormick, Vinessa Shaw, Lisette Alexis, Pat Healy, and Ozzy Osbourne. Based on the novella of the same name , [ 2 ] the film centers on a family trapped in their bathroom during a tornado .
We Need to Talk About Kevin opened in a limited release in North America in a single theater and grossed $24,587, ranking 53rd at the box office. The film ended up earning $1,738,692 in the US, and $5,754,934 internationally, for a total of $7,493,626. [24] We Need to Talk About Kevin was released on Blu-ray and DVD on 29 May 2012. [25]
Sean King O'Grady [1] [2] is an American film director and producer based in Michigan. [3] [4] He made his feature directorial debut with We Need to Do Something (2021).[5] [6] [7] He then made his second feature directorial effort with The Mill (2023).
Booth was born July 4th, 1993 in Lake Station, Indiana.They began writing at the age of seven as a way to cope with the death of their dog. [1] Prior to being published, they were active on Storiesville.com, a website for aspiring writers to post their work and receive feedback; after the site became defunct, Booth began promoting their writing elsewhere, eventually publishing their first ...
We Need to Talk About Kevin is a 2003 novel by Lionel Shriver, published by Serpent's Tail, about a fictional school massacre.It is written from the first person perspective of the teenage killer's mother, Eva Khatchadourian, and documents her attempt to come to terms with her psychopathic son Kevin and the murders he committed, as told in a series of letters from Eva to her husband [1].
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Karl Popper argues that a preference for simple theories need not appeal to practical or aesthetic considerations. Our preference for simplicity may be justified by its falsifiability criterion: we prefer simpler theories to more complex ones "because their empirical content is greater; and because they are better testable". [ 39 ]
The website's critical consensus reads, "Now that I Think You Should Leave ' s rhythms have become a recognizable pattern, some of these sketches CAN'T hit, but most of them still CAN hit – and indeed they do, with quotable hilarity."