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Bongo drums produce relatively high-pitched sounds compared to conga drums, and should be held behind the knees with the larger drum on the right when right-handed. It is most often played by hand and is especially associated in Cuban music with a steady pattern or ostinato of eighth-notes known as the martillo (hammer). [3]
A family of Latin American drums derived from the European bass drum Bombo legüero: Unpitched Membranophone Argentina Bonang: Indonesia Pitched 111.241.2 Idiophone Bones (instrument) Unpitched 111.11 Idiophone Bongo drum: Cuba Unpitched 211.251.2 Membranophone Boobam: United States Unpitched 211.211.1 Membranophone Boomwhacker: United States ...
In the 1960s, the conga became a prominent instrument in Haitian popular music styles such as konpa, yeye and mini-djaz. [18] Conjuntos and orchestras playing Colombian dance music have incorporated cumbia rhythms, traditionally played on tambores known as alegre and llamador, to the conga drums. The standard Colombian cumbia rhythm is simple ...
Owerri Bongo (Bongo/Igbo Bongo) is a style of Igbo highlife music that has its origins in the Igbo people of Owerri and spread around all Imo State, which is in eastern Nigeria. The musical style is a sub-genre of Igbo highlife music. [1] Unlike Igbo highlife, which is known for its brass horns and often somber feel.
Cándido Camero Guerra was born in the barrio known as El Cerro, in Havana, to Caridad Guerra and Cándido Camero. [1] [2] [3] His interest in music began at the age of 4, when his maternal uncle Andrés, a professional bongosero for the Septeto Segundo Nacional, taught him to play bongos on condensed milk cans.
They were used both in Afro-Caribbean religious music and as the principal instrument in Rumba. Congas are now very common in Latin American music, including salsa music, as well as many other forms of American popular music. Originally it was played only using one drum; now it is common to see two, three, or four drums.