Search results
Results From The WOW.Com Content Network
These instruments may have a resonator box, but removing it should not render the instrument unplayable (although it may result in quite a different sound being produced). They include the piano therefore, as well as other kinds of zithers such as the koto , and musical bows .
Some of those listed were founders and members of influential harpsichord building dynasties. Others are known only through one or two instruments that have serendipitously survived, but are included because these instruments have proven a popular inspiration to modern builders who copy them.
Zuckermann, Wolfgang (1969) The Modern Harpsichord: Twentieth Century Instruments and Their Makers, New York : October House, ISBN 0-8079-0165-2; The New Grove: Early Keyboard Instruments. Macmillan, 1989 ISBN 0-393-02554-3. (material from here is also available online in Grove Music Online) Beurmann, Andreas (2012) Harpsichords and More ...
He was known to be a performing cellist, gambist and singer at the opera in Lyon as well as an instrument maker. [2] The last archival reference to Pierre is a 1750 advertisement offering several grand harpsichords by Donzelague for sale in Lyon, and it has been speculated that this represents liquidation of the Donzelague estate after his death.
The university bought two further instruments from Russell's collection – an English double harpsichord by Jacob Kirckman, bought at auction in 1970, and a French double harpsichord by Jean Goermans and Taskin, purchased from Maud Russell in 1974 – bringing the total number to twenty-one.
311: Instruments with a string bearer shaped like a bar, or consisting of a sideways board (bar zithers) 311.1: Instruments with a flexible or curved string bearer 311.12: Instruments with string made from a different material than the string bearer 311.121: Instruments with only one heterochord string 311.121.2: Instrument has a resonator
Of the Hass family instruments, Frank Hubbard wrote that 'only one has what could be regarded as a normal disposition.' Their surviving harpsichords show an attempt to develop the instrument in a number of ways: one from 1721 is 2.58 m long, and one from 1723 has the unusual disposition 8' 8' 8' 4'. Hass occasionally used a 16' set of strings ...
His surviving instruments are a harpsichord and a number of pianos. Joannes Dulcken (10 September 1742 – 22 July 1775) was born in Antwerp ; he was the son of Joannes Daniel Dulcken, upon whose death he moved with his mother, sister and brother-in-law to Brussels in 1764, where a workshop was set up.