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Harpsichord building was often considered a lesser side job for organ builders, while some few were specialized in either harpsichord or clavichord building. [ 1 ] Note that in the German speaking world the harpsichord was only one of several instruments referred to as clavier, and keyboard instruments seem to have been used more ...
The Dutch organist and harpsichordist Class Douwes (circa 1650 – circa 1725) mentions instruments from nominal 6 feet (1.8 m) down to 2 + 1 ⁄ 2 feet (0.76 m). [11] The pitch differences between the models offered by the Ruckers workshops were by no means arbitrary, but corresponded to the musical intervals of a tone, a fourth , a fifth , an ...
Three Centuries of Harpsichord Making (2 ed.). Harvard University Press. ISBN 978-0-674-88845-6. An authoritative survey by a leading builder of how early harpsichords were built and how the harpsichord evolved over time in different national traditions. Kottick, Edward (1987). The Harpsichord Owner's Guide. Chapel Hill: University of North ...
He was known to be a performing cellist, gambist and singer at the opera in Lyon as well as an instrument maker. [2] The last archival reference to Pierre is a 1750 advertisement offering several grand harpsichords by Donzelague for sale in Lyon, and it has been speculated that this represents liquidation of the Donzelague estate after his death.
311: Instruments with a string bearer shaped like a bar, or consisting of a sideways board (bar zithers) 311.1: Instruments with a flexible or curved string bearer 311.12: Instruments with string made from a different material than the string bearer 311.121: Instruments with only one heterochord string 311.121.2: Instrument has a resonator
The university bought two further instruments from Russell's collection – an English double harpsichord by Jacob Kirckman, bought at auction in 1970, and a French double harpsichord by Jean Goermans and Taskin, purchased from Maud Russell in 1974 – bringing the total number to twenty-one. [1]
These instruments may have a resonator box, but removing it should not render the instrument unplayable (although it may result in quite a different sound being produced). They include the piano therefore, as well as other kinds of zithers such as the koto , and musical bows .
The Gräbner family were German harpsichord-, clavichord-, organ- and eventually piano makers from the 17th century to the beginning of the 19th century. [1] They are best known for their harpsichords, which represent a mid-german style of building, distinct from the better known northern style as represented by Hass, Mietke and Zell.