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Ash Wednesday (Spanish: Miércoles de ceniza) is a 1958 Mexican drama film directed by Roberto Gavaldón. It was entered into the 8th Berlin International Film Festival . [ 1 ]
Agustín Cosme Damián de Iturbide y Arámburu (Spanish pronunciation: [aɣusˈtin de ituɾˈbiðe] ⓘ; 27 September 1783 – 19 July 1824), commonly known as Agustín de Iturbide and later by his regnal name Agustín I, was the first Emperor of Mexico from 1822 until his abdication in 1823.
Nonetheless, it does provide an unbroken record of his development of thought and is the most complete record of any single person from the 4th and 5th centuries. It is a significant theological work, featuring spiritual meditations and insights. In the work, Augustine writes about how he regrets having led a sinful and immoral life.
José Agustín was born in Acapulco, Guerrero, on 19 August 1944. [3] He studied classical literature at the School of Philosophy and Letters of the National Autonomous University of Mexico (UNAM), film direction at the Centro Universitario de Estudios Cinematográficos (CUEC) and dramaturgy at the Instituto Nacional de Bellas Artes y Literatura (INBA).
Lalo Gameros – violin, vocals in "Cuando Estoy Con Mis Cuates" Jorge Navarro – guitar in "Cuando Estoy Con Mis Cuates" Alberto "El Cuervo" Angel – vocals in "En el Ultimo Trago" Andres Gimenez – vocals in "Todos Necesitamos de Todos" Lalo Toral – piano; Paulinho Da Costa – percussion in "Amor Del 2 de Octube" and "Nosotros Los Latinos"
The embrace of Acatempan (Spanish: Abrazo de Acatempan) refers to an event in Mexican history in which Agustín de Iturbide, commander-in-chief of the military of southern New Spain, and Vicente Guerrero, leader of the forces fighting for Mexican Independence, participated.
The Plan of Iguala, [2] also known as the Plan of the Three Guarantees ("Plan Trigarante") or Act of Independence of North America, [3] was a revolutionary proclamation promulgated on 24 February 1821, in the final stage of the Mexican War of Independence from Spain.
By the middle of the century he was already a recognized literary figure and a member of the Academia Castellana. He published the first volume of his comedies (called the Primera Parte) in 1654; El desdén, con el desdén (literally "Disdain with Disdain"), one of his most popular and famous comedies, first appeared in print in this edition.