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Dr. Fausto by Jean-Paul Laurens 1876 'Faust' by Goethe, decorated by Rudolf Seitz, large German edition 51 cm × 38 cm (20 in × 15 in). Faust (/ f aʊ s t /; German:) is the protagonist of a classic German legend based on the historical Johann Georg Faust (c. 1480–1540).
Although Goethe does not introduce the eternal feminine until the last two lines of the play, he prepared for its appearance at the outset. "Equally pertinent in this regard", writes J. M. van der Laan, "are Gretchen and Helen, who alternate with each other from start to finish and ultimately combine with others to constitute the Eternal-Feminine" [1] At the beginning of Part I, Act IV, Faust ...
Engraving of Faust's pact with Mephisto, by Adolf Gnauth (circa 1840). A deal with the Devil [a], also known as a Faustian bargain, is a cultural motif exemplified by the legend of Faust and the figure of Mephistopheles, as well as being elemental to many Christian traditions.
Goethe finished writing Faust, Part Two in 1831; it was published posthumously the following year. In contrast to Faust, Part One, the focus here is no longer on the soul of Faust, which has been sold to the devil, but rather on social phenomena such as psychology, history and politics, in addition to mystical and philosophical topics. The ...
Mephistopheles flying over Wittenberg, in a lithograph by Eugène Delacroix. Mephistopheles [a] (/ ˌ m ɛ f ɪ ˈ s t ɒ f ɪ ˌ l iː z /, German pronunciation: [mefɪˈstoːfɛlɛs]), also known as Mephisto, [1] is a demon featured in German folklore, and as the chief devil in the Faust legend. [2]
H. J. Byron's Little Doctor Faust (1877) (a musical burlesque at the Gaiety Theatre) W. S. Gilbert 's Gretchen , an 1879 play based on Goethe 's version of the Faust legend Igor Stravinsky 's Histoire du soldat (1918), a theatrical piece "to be read, played and danced" with a libretto by C.F. Ramuz
The first operatic version of Goethe's Faust, by Louis Spohr, appeared in 1814. The work subsequently inspired operas and oratorios by Schumann, Berlioz, Gounod, Boito, Busoni and Schnittke, as well as symphonic works by Liszt, Wagner and Mahler. Faust became the ur-myth of many figures in the 19th century. Later, a facet of its plot, i.e., of ...
Faust is told that Mephistopheles will serve him as long as he lives, but after his death, Faust would forfeit his soul and become enslaved forever. [2] He agrees, making a deal with the Devil, and as one of his requests for magic, Mephistopheles seduces a young woman named Gretchen (Margaretta) for Faust. She is impregnated by Faust and gives ...