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Frames that are drawn between these key poses (traditionally known as in-betweens) are either hand-drawn or interpolated using computer software. Key frames of a walk cycle Besides the apparent move of the legs, many more details are necessary for a convincing walk cycle, like animation timing, movement of the arms, head and torsion of the ...
A sequence of key frames defines which movement the viewer will see, whereas the position of the key frames on the film, video, or animation defines the timing of the movement. Because only two or three key frames over the span of a second do not create the illusion of movement, the remaining frames are filled with "inbetweens". [1]
Sometimes, using a symbolic image to convey a concept is more impactful than words. This page compiles examples of such images along with their corresponding files, making them easy to copy and use. You are welcome to utilize these examples and, if you wish—while accepting full responsibility—contribute to expanding this collection.
Frames 2–4 are smear frames, those being elongated inbetweens. In animation, a smear frame is a frame used to simulate motion blur. Smear frames are used in between key frames. [1] This animation technique has been used since the 1940s. [1] Smear frames are used to stylistically visualize fast movement along a path of motion. [2] [3] [4]
To elaborate, the two example walking motions may vary in time, as the happy walk is described as fast-paced and the sad walk is described as slow. However, scaling their lengths of time to be equivalent is not sufficient for interpolation. This is because the slow walking motion is not simply an elongation of the happy walking motion.
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Straight ahead action scenes are animated frame by frame from beginning to end, while "pose to pose" involves starting with drawing key frames, and then filling in the intervals later. [12] "Straight ahead action" creates a more fluid, dynamic illusion of movement, and is better for producing realistic action sequences.
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