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A passing tone (PT) or passing note is a nonchord tone prepared by a chord tone a step above or below it and resolved by continuing in the same direction stepwise to the next chord tone (which is either part of the same chord or of the next chord in the harmonic progression).
An appoggiatura (/ ə ˌ p ɒ dʒ ə ˈ tj ʊər ə / ə-POJ-ə-TURE-ə, Italian: [appoddʒaˈtuːra]; German: Vorschlag or Vorhalt; French: port de voix) is a musical ornament that consists of an added non-chord note in a melody that is resolved to the regular note of the chord. By putting the non-chord tone on a strong beat, (typically the ...
Changing tones. In music, changing tones (also called double neighboring tones and neighbor group) consists of two consecutive non-chord tones. [1] [2] The first moves in one direction by a step from a chord tone, then skips by a third in the opposite direction to another non-chord tone, and then finally resolves back to the original chord tone.
Musical symbols are marks and symbols in musical notation that indicate various aspects of how a piece of music is to be performed. There are symbols to communicate information about many musical elements, including pitch, duration, dynamics, or articulation of musical notes; tempo, metre, form (e.g., whether sections are repeated), and details about specific playing techniques (e.g., which ...
The chord-scale system may be compared with other common methods of improvisation, first, the older traditional chord tone/chord arpeggio method, and where one scale on one root note is used throughout all chords in a progression (for example the blues scale on A for all chords of the blues progression: A 7 E 7 D 7).
Non-chord tone. From Wikipedia, the free encyclopedia. Redirect page. ... Printable version; Languages. Add links. This page was last edited on 29 June 2008, at 22:15 ...
Piano: 230 strings[*] 88 courses. A 0 A ♯ 0 B 0 C 1 C ♯ 1 D 1 D ♯ 1 E 1 F 1 F ♯ 1 G 1 G ♯ 1 [...] *C ♯ 7 D 7 D ♯ 7 E 7 F 7 F ♯ 7 G 7 G ♯ 7 A 7 A ♯ 7 B 7 C 8. Pianoforte, Grand, Grand Piano, Concert Grand, Upright, Upright Piano, Spinet Europe (Italy) * About 2 ⁄ 3 of courses are triple strung; some lower courses are double ...
The sound mass technique in such works as Ruth Crawford Seeger's String Quartet (1931) and Iannis Xenakis's Metastaseis (1955) is an elaboration of the tone cluster. "Unlike most tonal and non-tonal linear dissonances, tone clusters are essentially static. The individual pitches are of secondary importance; it is the sound mass that is foremost."