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"Echoes" is a song by the English rock band Pink Floyd, and the sixth and last track on their 1971 album Meddle. It is 23 + 1 ⁄ 2 minutes long, the second longest of their discography, fourteen seconds shorter than "Atom Heart Mother Suite", and takes up the entire second side of the original LP.
Echoes: The Best of Pink Floyd is the fourth compilation album by the English rock band Pink Floyd, released on 5 November 2001 by EMI internationally and a day later by Capitol Records in the United States. It debuted at No. 2 on the Billboard 200 album chart on 24 November 2001, with sales of 214,650 copies. [1]
Meddle is the sixth studio album by the English rock band Pink Floyd, released by Harvest Records on 5 November 1971 in the United Kingdom. [3] The album was produced between the band's touring commitments, from January to August 1971 at a series of locations around London, including EMI Studios (now Abbey Road Studios) and Morgan Studios.
Pink Floyd are an English rock band formed in London in 1965. Gaining an early following as one of the first British psychedelic groups, they were distinguished by their extended compositions, sonic experiments, philosophical lyrics, and elaborate live shows .
Echoes: The Best of Pink Floyd, 2001 compilation; Echoes (the Rapture album) (2003) or its title track; Echoes (Maggie Reilly album) (1992) Echoes (Livingston Taylor album) (1979) Echoes (Will Young album) (2011) Echoes (Young Guns album) (2016) Echoes, a 2002 album by Matt Bianco; Echos, Chapter One, a 2005 album by Les Nubians; Echoes, a 2019 ...
"One of These Days" is the opening track from Pink Floyd's 1971 album Meddle. [4] [5] The composition is instrumental except for the spoken line from drummer Nick Mason, "One of these days, I'm going to cut you into little pieces."
Jesse Jarnow wrote that "[a]s career periods go, the seven years of Pink Floyd’s Early Years don’t exactly match other intense eras of classic rock creativity, like Bob Dylan from 1961 to 1968 or the Beatles from 1962 to 1969 [...] this set illustrates something about both Pink Floyd’s own path and the rewards of resilience."
On Echoes: The Best of Pink Floyd, the song has a different ending: instead of segueing into what would be the next track on The Dark Side of the Moon ("Any Colour You Like"), engineer and Floyd collaborator James Guthrie gave the song a cold ending, before adding a backwards piano note that would lead into the collection's next track ...