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The Nihon Bijutsu Tōken Hozon Kyōkai (日本美術刀剣保存協会, 'The Society for Preservation of Japanese Art Swords', NBTHK) is a public interest incorporated foundation established in February 1948 to preserve and promote Japanese swords that have artistic value. They run a Japanese Sword Museum in Tokyo and have a secretariat in the ...
Dōjigiri is sometimes called "the yokozuna of all Japanese swords" along with Ōkanehira (ja:大包平) because of its perfection; it is of great historical value as one of the oldest extant katana-type weapons. The quality and the artistic value of the blade is exquisite, it has been kept in good preservation, and the legend tied to the sword ...
He opened a gift store, and Masako Osako, author of "Japanese Americans: Melting into the All-American Melting Pot," wrote that he was "said to have amassed $700,000 from the successful management" of his 27th Street and Cottage Grove location. [2] Some Japanese in Chicago operated businesses such as restaurants, gift shops, and housing units.
Yoshindo Yoshihara (1943) is a Japanese swordsmith based in Tokyo. His family have made swords for ten generations, and he himself learned the art from his grandfather, Yoshihara Kuniie. [1] Yoshindo himself gained his licence as a smith in 1965. [2] Yoshihara uses traditional techniques in his work, and uses tamahagane steel. [3]
Wazamono (Japanese: 業 （ わざ ） 物 （ もの ）) is a Japanese term that, in a literal sense, refers to an instrument that plays as it should; in the context of Japanese swords and sword collecting, wazamono denotes any sword with a sharp edge that has been tested to cut well, usually by professional sword appraisers via the art of tameshigiri (test cutting).
Along with Ōdenta and Futatsu-mei, the sword was considered to be one of the three regalia swords of the shōguns of the Ashikaga clan. [6] [8] The epic Taiheiki includes a story that the sword moved by itself and killed an oni demon who was cursing Hōjō Tokimasa, from which the name Onimaru came. [8] Mikazuki (三日月, "Crescent Moon") 三条
Tachi long swords were worn edge down suspended by two cords or chains from the waist belt. The cords were attached to two eyelets on the scabbard. [148] Decorative sword mountings of the kazari-tachi type carried on the tradition of ancient straight Chinese style tachi and were used by nobles at court ceremonies until the Muromachi period ...
Tokyo National Museum. Daishō mountings with ice crack pattern design. Edo period, Designated as Important Mounting, The Japanese Sword Museum. The daishō (大小, daishō) —"large and small" [1] —is a Japanese term for a matched pair of traditionally made Japanese swords worn by the samurai class in feudal Japan.