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The International Journal of Play Therapy is a peer-reviewed academic journal published by the American Psychological Association on behalf of the Association of Play Therapy. The journal was established in 1992 and covers all aspects of play therapy. The editor-in-chief is Franc Hudspeth (Sacred Heart University).
Abe John Jacob (born October 7, 1944) is an American sound designer and audio engineer.Called the "Godfather of Sound", [1] [2] Jacob greatly influenced the design of sound reinforcement in modern musical theatre, and was one of the first persons credited in the role of sound designer on Broadway, [3] [4] with a sound designer credit in Playbill in 1971.
The American Journal of Play is a peer-reviewed interdisciplinary academic journal that covers the history, science, and culture of play. [1] The journal includes articles, interviews, and book reviews written for a broad readership of educators, scholars, designers, and others. [2] It is published by The Strong and is available in print and ...
The award was established in 1980, with the Drama Desk Award for Outstanding Sound Design being presented each year to any play or musical production. Starting in 2010, the singular award was replaced by separate play and musical categories.
Sound design is the art and practice of creating soundtracks for a variety of needs. It involves specifying, acquiring or creating auditory elements using audio ...
The efficacy of directive play therapy has been less established than that of nondirective play therapy, yet the numbers still indicate that this mode of play therapy is also effective. [70] In 2001 meta analysis by authors Ray, Bratton, Rhine, and Jones, direct play therapy was found to have an effect size of .73 compared to the .93 effect ...
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[4] [5] He presented a paper about his sound design to the Audio Engineering Society (AES) at their 37th convention, and his paper was published in the Journal of the Audio Engineering Society in December 1969. [6] Dugan described a system in which the signals from three stereo tape players were routed to ten loudspeaker zones in the theater. [6]