Search results
Results From The WOW.Com Content Network
Overture (from French ouverture, lit. "opening") is a music instrumental introduction to a ballet, opera, or oratorio in the 17th century. [1] During the early Romantic era, composers such as Beethoven and Mendelssohn composed overtures which were independent, self-existing, instrumental, programmatic works that foreshadowed genres such as the symphonic poem.
Bass Ignazio Marini was the first Oberto Lorenzo Salvi was the first Riccardo. As noted by Roger Parker, the opera, while having a somewhat limited success at La Scala, did receive revivals over the following three years, during which Verdi took the opportunity to compose new numbers or supply new or revised music to fit particular voices. [7]
Ouvertüre zum Märchen von der schönen Melusine, Op. 32, (German: Overture to the Legend of the Fair Melusine) is a concert overture by Felix Mendelssohn written in 1834. . It is generally referred to as Die schöne Melusine in modern concert programming and recordings, and is sometimes rendered in English as The Fair Melusi
Donizetti's "comic masterpiece" is one of the last great opera buffas. [82] 1843 I Lombardi alla prima crociata (Verdi). Verdi's follow-up to Nabucco was the first of his operas to be performed in America. [83] 1843 The Bohemian Girl (Michael Balfe). One of the few notable 19th-century English-language operas apart from the works of Gilbert and ...
William Tell (French: Guillaume Tell; Italian: Guglielmo Tell) is a French-language opera in four acts by Italian composer Gioachino Rossini to a libretto by Victor-Joseph Étienne de Jouy and L. F. Bis, based on Friedrich Schiller's play Wilhelm Tell, which, in turn, drew on the William Tell legend.
Later commentators have asserted that Carmen forms the bridge between the tradition of opéra comique and the realism or verismo that characterised late 19th-century Italian opera. The music of Carmen has since been widely acclaimed for brilliance of melody, harmony, atmosphere, and orchestration, and for the skill with which the emotions and ...
In the middle decades of the 17th century the major opera-producing center was Venice, the first place where music was detached from religious or aristocratic protection to be performed in public places: in 1637 the Teatro San Cassiano was founded (demolished in 1812), the first opera center in the world, located in a palace that belonged to ...
The 19th-century music critic George Hogarth wrote of Rinaldo that "[t]he romantic interest of the subject, the charms of the music, and the splendour of the spectacle, made it an object of general attraction". [26] Its premiere at the Queen's Theatre on 24 February 1711, possibly under Handel's direction, was a triumphant success.