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Tascam Portastudio 244, 1982. The first Portastudio, the TEAC 144, was introduced on September 22, 1979 at the AES Convention in New York City. [5] The 144 combined a 4-channel mixer with pan, treble, and bass on each input with a cassette recorder capable of recording four tracks in one direction at 3¾ inches per second (double the normal cassette playback speed) in a self-contained unit ...
The four operas of Richard Wagner's cycle Der Ring des Nibelungen together take about 15 hours, which makes for several records, tapes, or CDs, and much studio time. For this reason, many full Ring recordings are the result of "unofficial" recording of live performances, particularly from the Bayreuth Festival where new productions are often broadcast by German radio.
The Decca Ring 1997 CD release Studio album by Georg Solti Vienna Philharmonic Orchestra Birgit Nilsson Hans Hotter Wolfgang Windgassen Gottlob Frick and 35 other soloists Released 1959–1966 Recorded 1958–1965 Studio Sofiensaal, Vienna Label Decca Producer John Culshaw Between 1958 and 1965 the Decca record company made the first complete recording to be released of Richard Wagner's ...
AMPEX 440 (two-track, four-track) and 16-track MM1000 Scully 280 eight-track recorder using 1 inch (25 mm) tape at the Stax Museum of American Soul Music. Multitrack recording of sound is the process in which sound and other electro-acoustic signals are captured on a recording medium such as magnetic tape, which is divided into two or more audio tracks that run parallel with each other.
4-track or 4-track tape may refer to: The 4-track cartridge as an analogue music storage format popular from the late 1950s; A 4-track tape for multitrack recording used in professional recording studios; 8-track tape, which has 4 stereo tracks and so was sometimes colloquially called "4-track tape" A quadruple track railway line
The TEAC 2340, a popular early (1973) home multitrack recorder, four tracks on ¼ inch tape Korg D888 eight-track digital recorder. Multitrack recording also allows any recording artist to record multiple takes of any given section of their performance, allowing them to refine their performance to virtual perfection by making additional takes ...
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There is a live video recording of the 2017 production for the Festival D'Aix-en-Provence with Leonardo García Alarcón and the Cappella Mediterranea, starring sopranos Francesca Aspromonte and Susanna Hurrell, countertenors Carlo Vistoli and Jakub Jósef Orlinski, and baritone Alexander Miminoshvili. There is a full version available on YouTube.