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Mixing desk with twenty inputs and eight outputs. Multitracking can be achieved with analogue recording, tape-based equipment (from simple, late-1970s cassette-based four-track Portastudios, to eight-track cassette machines, to 2" reel-to-reel 24-track machines), digital equipment that relies on tape storage of recorded digital data (such as ADAT eight-track machines) and hard disk-based ...
AMPEX 440 (two-track, four-track) and 16-track MM1000 Scully 280 eight-track recorder using 1 inch (25 mm) tape at the Stax Museum of American Soul Music. Multitrack recording of sound is the process in which sound and other electro-acoustic signals are captured on a recording medium such as magnetic tape, which is divided into two or more audio tracks that run parallel with each other.
Track Record Studios is a recording studio, originally established around 1970 and located in North Hollywood, California.. Many gold or platinum records were recorded or mixed at Track Record: The Offspring's Ignition and the follow-up Smash (which has gone platinum six times), Emmylou Harris' Roses in the Snow, Megadeth's Peace Sells... but Who's Buying?, Red Hot Chili Peppers' Mother's Milk ...
The studio practices of the Beatles evolved during the 1960s and, in some cases, influenced the way popular music was recorded. Some of the effects they employed were sampling, artificial double tracking (ADT) and the elaborate use of multitrack recording machines. They also used classical instruments on their recordings and guitar feedback.
4-track or 4-track tape may refer to: The 4-track cartridge as an analogue music storage format popular from the late 1950s; A 4-track tape for multitrack recording used in professional recording studios; 8-track tape, which has 4 stereo tracks and so was sometimes colloquially called "4-track tape" A quadruple track railway line
RADAR V, released in 2005, added many capabilities to the RADAR 24 including the ability to record on all 24 tracks at high sample rates of 96k and 192k; direct recording to industry-standard Broadcast WAV files; Dual Disk and Span modes for recording to multiple drives; File Flattening options to consolidate audio for handoff; and Gigabit ...
Tascam Portastudio 244, 1982. The first Portastudio, the TEAC 144, was introduced on September 22, 1979 at the AES Convention in New York City. [5] The 144 combined a 4-channel mixer with pan, treble, and bass on each input with a cassette recorder capable of recording four tracks in one direction at 3¾ inches per second (double the normal cassette playback speed) in a self-contained unit ...
Before large hard disks became economical enough to make hard disk recorders viable, studio digital recording meant recording on digital tape. Mitsubishi's ProDigi and Sony's Digital Audio Stationary Head (DASH) were the primary digital reel-to-reel formats in use in recording studios from the early 1980s through the mid-1990s.