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"Here for the Party" is a song co-written and recorded by American country music artist Gretchen Wilson. It was released in July 2004 as the second single and title track from her album Here for the Party. The song became Wilson's second chart entry on the US Billboard Hot Country Singles & Tracks chart.
Wilson is an accomplished artist, and won the first Louis Sudler Prize for Outstanding Artistic Talent and Achievement in 1983. [10] While in college, he began collaborating with his brother, singer-songwriter Matt Wilson, who also attended Harvard College. The Wilson brothers played in two bands, Animal Dance and the Love Monsters.
Studio We: Recording #3 is the third demo album by the South Korean band Onewe. The album was released by RBW on October 18, 2022, and distributed by Kakao Entertainment . [ 2 ] It consists of 8 tracks, including the pre-released single "Still Here" and its instrumental, along with CD-only demo versions of the six songs from the band's previous ...
Here for the Party is the debut studio album by American country music singer Gretchen Wilson. It was released on May 11, 2004 through Epic Records Nashville . After singing in a bar, she met John Rich of Big & Rich , who invited her to work with him.
Right on Time has received generally positive reviews from music critics. Steve Leggett of AllMusic gave the album four stars out of five and said that the "aptly named Right on Time shows that Wilson is capable of much more than just country honky tonk anthems, and in fact, this set is way more garage rock blues than it is country, with some late-night jazz, soul, and funk thrown in as well ...
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Johnny Loftus of Allmusic said that Wilson was "convincing" in her delivery, and that the inclusion of a ballad on the album gave it "some depth." [3] Kevin John Coyne, reviewing the song for Country Universe, gave it a positive rating. He says that the song proves that Wilson is more than just a "Redneck Woman" [4]
Smile (sometimes stylized as SMiLE) [1] is an unfinished album by the American rock band the Beach Boys that was intended to follow their 1966 album Pet Sounds.It was to be an LP of twelve tracks assembled from modular fragments, the same editing process used for their "Good Vibrations" single.