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Oil on convex panel. Dimensions. 24.4 cm diameter (9.6 in) Location. Kunsthistorisches Museum. Self-portrait in a Convex Mirror (c. 1524) is a painting by the Italian late Renaissance artist Parmigianino. It is housed in the Kunsthistorisches Museum, Vienna, Austria.
Self-Portrait in a Convex Mirror is a 1975 poetry collection by the American writer John Ashbery. The title, shared with its final poem, comes from the painting of the same name by the Late Renaissance artist Parmigianino. The book won the Pulitzer Prize, the National Book Award, and the National Book Critics Circle Award, the only book to have ...
Self-portrait in a Convex Mirror (c. 1524) – Oil on wood, diameter 24.4 cm; Kunsthistorisches Museum, Vienna; Portrait of a Collector (c. 1524) – Oil on panel, 86 x 94 cm, National Gallery, London; Portrait of Galeazzo Sanvitale (1524) – Oil on panel, 109 x 81 cm, Museo di Capodimonte, Naples
John Ashbery. John Lawrence Ashbery[1] (July 28, 1927 – September 3, 2017) was an American poet and art critic. [2] Ashbery is considered the most influential American poet of his time. Oxford University literary critic John Bayley wrote that Ashbery "sounded, in poetry, the standard tones of the age." [3] Langdon Hammer, chair of the English ...
RCIN 405551. Self-Portrait as the Allegory of Painting, also known as Autoritratto in veste di Pittura or simply La Pittura, was painted by the Italian Baroque artist Artemisia Gentileschi. The oil-on-canvas painting measures 98.6 by 75.2 centimetres (38.8 in × 29.6 in) and was probably produced during Gentileschi's stay in England between ...
Jan van Eyck's 1434 painting Arnolfini Portrait shows a convex mirror in the centre of the painting. Van Eyck also left his signature above this mirror, [28] showing the importance of the tool. The painting includes a crown glass window in the upper left side, a rather expensive luxury at the time.
A painting by Parmigianino in 1524 Self-portrait in a mirror, demonstrates the phenomenon. Mirrors permit surprising compositions like the Triple self-portrait by Johannes Gumpp (1646), or more recently that of Salvador Dalí shown from the back painting his wife, Gala (1972–73). This use of the mirror often results in right-handed painters ...
Escher is not the first artist to explore mathematical themes: J. L. Locher, director of the Gemeentemuseum in The Hague, points out that Parmigianino (1503–1540) had explored spherical geometry and reflection in his 1524 Self-portrait in a Convex Mirror, depicting his own image in a curved mirror, while William Hogarth's 1754 Satire on False ...