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v. t. e. Aesthetics (also spelled esthetics) is the branch of philosophy concerned with the nature of beauty and the nature of taste and, in a broad sense, incorporates the philosophy of art. [1] Aesthetics examines the philosophy of aesthetic value, which is determined by critical judgments of artistic taste; [2] thus, the function of ...
Schopenhauer's aesthetics is an attempt to break out of the pessimism that naturally comes from this world view. Schopenhauer believed that what distinguished aesthetic experiences from other experiences is that contemplation of the object of aesthetic appreciation temporarily allowed the subject a respite from the strife of desire, and allowed ...
e. Aesthetic Theory (German: Ästhetische Theorie) is a book by the German philosopher Theodor Adorno, which was culled from drafts written between 1956 and 1969 and ultimately published posthumously in 1970. Although anchored by the philosophical study of art, the book is interdisciplinary and incorporates elements of political philosophy ...
Ancient Greek aesthetics. The first important contributions to aesthetic theory are usually considered to stem from philosophers in Ancient Greece, among which the most noticeable are Plato, Aristotle and Plotinus. When interpreting writings from this time, it is worth noticing that it is debatable whether an exact equivalent to the term beauty ...
Aesthetics. Notable ideas. Aesthetics as the perfection of sensuous cognition [1][2] Alexander Gottlieb Baumgarten (/ ˈbaʊmɡɑːrtən /; German: [ˈbaʊmˌgaʁtn̩]; 17 July 1714 – 27 May [3] 1762) was a German philosopher. He was a brother to theologian Siegmund Jakob Baumgarten (1706–1757).
0-486-20238-0 (Dover Books edition) The Sense of Beauty is a book on aesthetics by the philosopher George Santayana. [1] The book was published in 1896 by Charles Scribner's Sons, and is based on the lectures Santayana gave on aesthetics while teaching at Harvard University. [2] Santayana published the book out of necessity, for tenure, rather ...
Kant's discussions of schema and symbol late in the first half of the Critique of Judgement also raise questions about the way the mind represents its objects to itself, and so are foundational for an understanding of the development of much late 20th-century continental philosophy: Jacques Derrida is known to have studied the book extensively.
On the Sublime and Beautiful at Wikisource. A Philosophical Enquiry into the Origin of Our Ideas of the Sublime and Beautiful is a 1757 treatise (2nd edition 1759) on aesthetics written by Edmund Burke. It was the first complete philosophical exposition for separating the beautiful and the sublime into their own respective rational categories.