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Retrieved 2011-04-21. When emo seemed like a new concept – back in the previous millennium – there were a handful of bands that seemed to get it right the first time (Brandtson, Appleseed Cast, and Dear Ephesus). ^ Rogatis, Jim. "Album review: Death Cab for Cutie, "Codes and Keys" (Atlantic)". Wbez 91.5.
Emo / ˈiːmoʊ / is a music genre characterized by emotional, often confessional lyrics. It emerged as a style of hardcore punk and post-hardcore from the mid-1980s Washington, D.C. hardcore scene, where it was known as emotional hardcore or emocore. The bands Rites of Spring and Embrace, among others, pioneered the genre.
It was the early 2000s: emo music was making its mark on the world, and Say Anything’s Max Bemis was creating a masterpiece—while simultaneously losing his mind. While the band has since ...
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The Emo Nite event, now a full-fledged national business in its 10th year, started out as a way for creators Petracca and Freed to listen to the kind of music they enjoyed — despite it not being ...
Website. thegetupkids.com. The Get Up Kids are an American rock band from Kansas City. Formed in 1995, the band was a major act in the mid-1990s Midwest emo scene, otherwise known as the " second wave " of emo music. Their second album Something to Write Home About remains their most widely acclaimed album, and is considered to be one of the ...
The emo revival, or fourth wave emo, [2] was an underground emo movement which began in the late 2000s and flourished until the mid-to-late 2010s. The movement began towards the end of the 2000s third-wave emo, with Pennsylvania-based groups such as Tigers Jaw, Algernon Cadwallader and Snowing eschewing that era's mainstream sensibilities in favor of influence from 1990s Midwest emo (i.e ...
Midwest emo (or Midwestern emo[1]) refers to the emo scene and/or subgenre [2] that developed in the 1990s Midwestern United States. Employing unconventional vocal stylings, distinct guitar riffs and arpeggiated melodies, [3] Midwest emo bands shifted away from the genre's hardcore punk roots and drew on indie rock and math rock approaches. [4]