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Orthodox Tewahedo music refers to sacred music of the Ethiopian and Eritrean Orthodox Tewahedo Church. The music was long associated with Zema (chant), developed by the six century composer Yared. It is essential part of liturgical service in the Church and classified into fourteen anaphoras, with the normal use being the Twelve Apostles.
Organum [a] (/ ˈ ɔːr ɡ ə n əm /) is, in general, a plainchant melody with at least one added voice to enhance the harmony, developed in the Middle Ages.Depending on the mode and form of the chant, a supporting bass line (or bourdon) may be sung on the same text, the melody may be followed in parallel motion (parallel organum), or a combination of both of these techniques may be employed.
Anglican chant, also known as English chant, [1][2] is a way to sing unmetrical texts, including psalms and canticles from the Bible, by matching the natural speech-rhythm of the words to the notes of a simple harmonized melody. [3] This distinctive type of chant is a significant element of Anglican church music.
Medieval music encompasses the sacred and secular music of Western Europe during the Middle Ages, [1] from approximately the 6th to 15th centuries. It is the first and longest major era of Western classical music and is followed by the Renaissance music; the two eras comprise what musicologists generally term as early music, preceding the common practice period.
La Barque solaire, symphonic poem for orchestra and principal organ (2008) Le Chant des ténèbres, version for clarinet and strings (2008) Violin Concerto (2009) Fantastic Scherzo for two pianos and orchestra (2011) Clarinet Concerto (2012) Cello Concerto (2014) Concerto for violin, oboe and orchestra (2014)
The vox principalis is a previously composed chant; the vox organalis is a newly composed part in counterpoint with the chant. The organal voices seem to follow a general contour below the principal voices, beginning with parallel movement in fourths, then oblique movement (including the use of holding tones), then meeting in unison at points ...
The chant genre offertorium in traditions of Western plainchant was basically a copy of the Byzantine custom, but there it was a proper mass chant which changed regularly. [ 3 ] Although its liturgical concept already existed by the end of the 4th century (see the homily by Chrysostom quoted here), the cherubikon itself was created 200 years ...
Buddhism portal. v. t. e. Namu Myōhō Renge Kyō[a] (南無妙法蓮華経) are Japanese words chanted within all forms of Nichiren Buddhism. In English, they mean "Devotion to the Mystic Law of the Lotus Sutra" or "Glory to the Dharma of the Lotus Sutra". [2][3] The words 'Myōhō Renge Kyō' refer to the Japanese title of the Lotus Sūtra.