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Te Awekotuku, Ngahuia, "Tā Moko: Māori Tattoo", in Goldie, (1997) exhibition catalogue, Auckland: Auckland City Art Gallery and David Bateman, pp. 108–114. Te Awekotuku, Ngahuia, "More than Skin Deep", in Barkan, E. and Bush, R. (eds.), Claiming the Stone: Naming the Bones: Cultural Property and the Negotiation of National and Ethnic ...
Moko facial tattoos were traditional in Māori culture until about the mid-19th century, when their use began to disappear. There has been something of a revival from the late 20th century. In pre-European Māori culture, they denoted high social status. Generally only men had full facial moko. High-ranked women often had moko on their lips and ...
The start of her career coincided with a revival of interest in tā moko as an art form and particularly a revival of moko kauae, chin tattoos worn by women. [7] New Zealand news website Stuff has described her as being at the "forefront" of the revival of tā moko.
New Zealand art consists of the visual and plastic arts (including woodwork, textiles, and ceramics) originating from New Zealand and comes from different traditions: indigenous Māori art and that brought here including from early European mostly British settlers.
Peʻa, Samoan male tattoo. The Peʻa is the popular name of the traditional male tatau of Samoa, also known as the malofie. [1] It is a common mistake for people to refer to the pe'a as sogaimiti, because sogaimiti refers to the man with the pe'a and not the pe'a itself.
A 19th-century carving of a tattooed Maori from kauri gum. The carving is owned and displayed by the Dargaville Museum, New Zealand. Kauri gum is resin from kauri trees (Agathis australis), which historically had several important industrial uses. It can also be used to make crafts such as jewellery.
Tyson saw the tattoo as representing the Māori, whom he described as a "warrior tribe", and approved of the design, [29] which consists of monochrome spiral shapes above and below his left eye. [30] According to Tyson, it was his idea to use two curved figures rather than one. [31] The tattoo drew significant attention before the fight.
The tā moko (or ‘kauae’ for women) is a sacred facial tattoo still frequently practiced in Māori society. [9] Its name is derived from the mythological figure ‘Atua Rūaumoko’ – the latest child of Ranginui et Papatūānuku of Rarohenga. [9] [10] The origin of the art is recorded in several variations.