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The pattern for the number of stresses in this poem is 3-3-4-4-4-3. Flow-er in the cran-nied wall, I pluck you out of the cran-nies, I hold you here, root and all, in my hand, Little flow-er—but if I could un-der-stand. What you are, root and all, and all in all, I should know what God and man is. The poem also follows an ABCCAB rhyme scheme.
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A Chapel was built in the midst, Where I used to play on the green. And the gates of this Chapel were shut, And ‘Thou shall not’ written over the door; So I turned to the Garden of Love, That so many sweet flowers bore. And I saw it was filled with graves, And tomb-stones where flowers should be: And Priests in black gowns were walking ...
According to Antal, Blake's Flower Plate is composed of three flower poems on the same plate for a reason: to illustrate three types of love; Poetic Love, Earthly Love, and Human Love. The Lilly deals with the "Poetic Love" concept of this "threefold vision of love". [ 3 ]
To the same Flower (second poem) [Sequel to "To the Small Celandine"] 1802, 1 May "Pleasures newly found are sweet" Poems of the Fancy: 1807 Resolution and Independence: 1802, 3 May – 4 July "There was a roaring in the wind all night;" Poems of the Imagination: 1807 I grieved for Buonaparte 1802, 21 May "I Grieved for Buonaparte, with a vain"
Therese later wrote: "While I listened I believed I was hearing my own story, so great was the resemblance between what Jesus had done for the little flower and little Thérèse". [35] To Therese, the flower seemed a symbol of herself, "seemed destined to live on in another soil more fertile than the tender moss where it had spent its first days."
Ver Perpetuum. Fragment from an Unpublished Poem "The early Year's fast-flying vapours stray" 1796 1796, March 25 On observing a Blossom on the First of February 1796 "Sweet flower! that peeping from thy russet stem" 1796 1796, April 11 To a Primrose. The First seen in the Season Nitens et roboris expers - Turget et insolida est: et spe delectat.