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Gustav Klimt (14 July 1862 – 6 ... The group's symbol was Pallas Athena, the Greek goddess of just causes, wisdom, and the arts—of whom Klimt painted his radical ...
1898 – Pallas Athena (oil on canvas, 75 cm × 75 cm) Enhanced by the golden frame created by Klimt's brother, Georg, the goddess Athena is portrayed in front of a frieze borrowed from a black-figure Attic vase of the 6th century BC.
Notwithstanding the alteration of features, one can recognise Klimt's friend (and, possibly, lover), Viennese socialite Adele Bloch-Bauer, the subject of another two portraits respectively done in 1907 and 1912, and also painted in the Pallas Athena. [9]
At the beginning of the fight, Athena got the upper hand, until Pallas took over. Before she could win, Zeus, who was in attendance, fearing to see his own daughter lose, distracted Pallas with the Aegis, which she had once shown interest in. Pallas, stunned in awe, stood still as Athena, expecting her to dodge, impaled her accidentally.
The artist, Gustav Klimt, was a prominent Austrian painter who was born in 1862. He worked as an apprentice of Ferdinand Laufberger during the early part of his art career. Later he was a founding member and the first president of the Vienna Secession from 1897 to 1903. He and fellow artist formed the secession after leaving Künstlerhaus, or ...
Death and Life (German: Tod und Leben, Italian: Morte e Vita) is an oil-on-canvas painting by Austrian painter Gustav Klimt. The painting was started in 1908 and completed in 1915. [1] It depicts an allegorical subject in an Art Nouveau (Modern) style. The painting measures 178 by 198 centimeters and is now housed at the Leopold Museum, in Vienna.
Only when Klimt threatened the removal staff with a shotgun was he able to keep his painting. [15] Klimt repaid his advance of 30,000 crowns with the support of August Lederer, one of his major patrons, who in return received Philosophy. In 1911 Medicine and Jurisprudence were bought by Klimt's friend and fellow artist, Koloman Moser.
Gustav Klimt im Kunsthistorischen Museum. Article by KHM for the special exhibition (Klimt-Bridge) 2012. Visited on December 23, 2013. KHM: Brücke bringt Besuchern Klimt näher. Article by Kurier on the occasion of the special exhibition Klimt-Bridge in 2012. Slideshow. Visited on December 23, 2013. Munkácsy Mihály: Apotheose der Renaissance.