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"No Strings (I'm Fancy Free)" is a popular song written by Irving Berlin for the 1935 film Top Hat, where it was introduced by Fred Astaire. In the film, the character played by Astaire is advised to get married and Astaire responds by saying he prefers to remain as a bachelor and he launches into this song and a major dance routine.
No Strings (I'm Fancy Free) 1935: Irving Berlin: Irving Berlin: Top Hat: New York, June 26, 1935, Brunswick 7486 Not My Girl: 1929: Fred Astaire, Van Phillips: Desmond Carter: London, April 5, 1929, EC 5174 Oh Gee, Oh Gosh: 1922: Adele Astaire: William Daly: Arthur Francis aka Ira Gershwin: For Goodness Sake: London, October 18, 1923, HMV B1719 ...
No Strings, an album by Sheena Easton "No Strings (I'm Fancy Free)", a song written by Irving Berlin for the 1935 film Top Hat "No Strings" (song), a song by Chloe Howl "No Strings", a song by Ed Sheeran from the album -
"Change Partners" is a popular song written by Irving Berlin for the 1938 film Carefree, in which it was introduced by Fred Astaire. The song was nominated for an Academy Award for Best Original Song in 1938, but lost out to "Thanks for the Memory."
No Strings is a musical drama with book by Samuel A. Taylor and words and music by Richard Rodgers. No Strings is the only Broadway score for which Rodgers wrote both lyrics and music, and the first musical he composed after the death of his long-time collaborator, Oscar Hammerstein II. The musical opened on Broadway in 1962 and ran for 580 ...
The Blues for Alice changes, Bird changes, Bird Blues, or New York Blues changes, is a chord progression, often named after Charlie Parker ("Bird"), which is a variation of the twelve-bar blues. The progression uses a series of sequential ii–V or secondary ii–V progressions, and has been used in pieces such as Parker's " Blues for Alice ".
The show was the first stage musical that Berlin wrote. It ran for 175 performances at the New Amsterdam Theater in New York City.The one song from the show that is well-remembered today is "Play a Simple Melody," one of the few true examples of counterpoint in American popular music — a melody running against a second melody, each with independent lyrics.
The refrain is simply a rhythmic chant based on the phrase "I'm a Bluebird" sung by McCartney with Linda and Denny Laine providing harmony. [1] Benitez states about the music that "the harmonic schemes of verse and chorus strongly suggest that the text of each verse raises a question, only to be answered by each chorus through its exclamations ...