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"Custom" models are cigar-shaped, while "Custom Heritage" models have flat tops and bottoms. The number is based on the year of introduction (from the foundation of the company; the Custom 74 was introduced in 1992) for models with two digits, while the third digit on models with three digits represents a list price when multiplied by ¥10,000 ...
Namiki is mostly famous for its handmade maki-e (a Japanese lacquerware craft with a wide range of fine and decorative arts) [2] designs on urushi-based lacquers. [3] [4] "Namiki" is the surname of Ryosuke Namiki, the founder of the Pilot Corporation, named "Namiki Manufacturing Company" until 1938 when it became "Pilot Pen Co., Ltd.".
The sap contains the allergenic compound urushiol, which gets its name from this species' Japanese name urushi (urushi (漆)); "urushi" is also used in English as a collective term for all kinds of Asian lacquerware made from the sap of this and related Asian tree species, as opposed to European "lacquer" or Japanning made from other materials.
YInMn Blue is an inorganic pigment with an intense blue color that was discovered by Mas Subramanian and his graduate student, Andrew Smith, at Oregon State University in 2009. [ 20 ] [ 21 ] It has been used in water, oil, and acrylic paints from paint vendors.
Five colors were available when the technique was first developed; brown, yellow, green, red, and black. [3] Urushi-e was sometimes used as a term to describe all hand-painted woodblock prints in Japan, not only those painted with lacquer, [ 4 ] however, only urushi-e used iro-urushi , meaning colored lacquer, made from mixing clear lacquer and ...
The key materials of kintsugi are: ki urushi (pure urushiol-based lacquer), bengara urushi (iron red urushi), mugi urushi (a mixture of 50% ki urushi and 50% wheat flour), sabi urushi (a mixture of ki urushi with two kinds of clay), and a storage compartment referred to as a furo ("bath" in Japanese) where the mended pottery can rest at 90% ...
International Klein Blue (IKB) is a deep blue hue first mixed by French artist Yves Klein. IKB's visual impact comes from its heavy reliance on ultramarine, as well as Klein's often thick and textured application of paint to canvas. IKB 191 (1962), one of a number of works Klein painted with International Klein Blue
Engineer's blue is prepared by mixing Prussian blue with a non-drying oily material (for example, grease).The coloured oil is rubbed onto a reference surface, and the workpiece is then rubbed against the coloured reference; the transfer (by contact) of the pigment indicates the position of high spots on the workpiece or conversely highlight low points. [1]