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Pensée perdue, on verses by Sully Prudhomme (1898) Wüstenbild, on verses by A. Roderich; Chant indou, on verses by Mlle Géraldine Rolland (c.1898) Dédicace (1899) De ziua ta (1900) Si j'étais Dieu, on verses by Sully Prudhomme (1897–1898) Quarantine, on verses by Enescu (1899) Prinz Waldvogelsgesang for voice, cello and piano (1901) Ein ...
René François Armand "Sully" Prudhomme (French: [syli pʁydɔm]; 16 March 1839 – 6 September 1907) was a French poet and essayist. He was the first winner of the Nobel Prize in Literature in 1901 .
Sully Prudhomme was nominated for the prize by 17 members of the Académie Française, of which Sully Prudhomme himself was a member.In total the Nobel committee received 37 nominations for 26 writers including Frédéric Mistral (five nominations) and Henryk Sienkiewicz (three nominations) who were subsequently both awarded the prize, and the only woman nominated, Malwida von Meysenburg. [3]
The song became a big hit in both Britain and America, reportedly selling some 2 million copies as sheet music, and was recorded by many bands from the 1920s onwards, most successfully by Vincent Lopez in 1926. [4] The pair moved their office to Denmark Street in 1926, and formally established the music publishing firm Campbell Connelly in 1929.
Sheet music for the composition was published in 1924 as "Pleasure Mad", performed by vocalist Blossom Seeley. [1] It was recorded by another vocalist, Ethel Waters , early that year. [ 2 ] Another version from 1924 was by Maureen Englin, with Bechet accompanying on soprano saxophone with pianist Art Sorenson, but the track was unreleased. [ 3 ]
Sully Prudhomme was awarded the 1901 Nobel Prize in Literature "in special recognition of his poetic composition, which gives evidence of lofty idealism, artistic perfection and a rare combination of the qualities of both heart and intellect".
The chord-scale system may be compared with other common methods of improvisation, first, the older traditional chord tone/chord arpeggio method, and where one scale on one root note is used throughout all chords in a progression (for example the blues scale on A for all chords of the blues progression: A 7 E 7 D 7).
Under the Covers, Vol. 1 is the first collaboration between alternative rock artist Matthew Sweet and Bangles singer/guitarist Susanna Hoffs.Released by Shout!Factory in 2006, the album contains 15 cover versions of songs from the 1960s and 1970s.