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Dodging and burning are techniques used during the printing process to manipulate the exposure of select areas on a photographic print, deviating from the rest of the image's exposure. In a darkroom print from a film negative, dodging decreases the exposure for areas of the print that the photographer wishes to be lighter, while burning ...
Dodge and burn change the lightness of the pictures, inspired by the dodging and burning performed in a darkroom. Dodging lightens an image, while burning darkens it. Dodging the image is the same as burning its negative (and vice versa). Dodge modes: The Screen blend mode inverts both layers, multiplies them, and then inverts that result.
Darkroom manipulation is a traditional method of manipulating photographs without the use of computers. Some of the common techniques for darkroom manipulation are dodging, burning, and masking, which though similar conceptually to digital manipulations, involve physical rather than virtual techniques.
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Users can combine two or more photos taken at different exposures and use the Clarify feature to automatically "dodge and burn" bringing out the contrast. Makeover Tools: New Thinify tool make anyone look thinner with just one click. New Eye Drop tool takes the red out of bloodshot eyes. Suntan brush and Blemish Fixer tools were enhanced.
ProShow Gold/Producer from Photodex and PhotoFilmStrip (free applications) also come with this effect. On the Mac platform, programs such as Final Cut Pro, Final Cut Express, iMovie, Adobe Premiere also have the ability. Adobe and Apple products (excluding iMovie) allow the user to set keyframes to further customize the process.
The Zone System is a photographic technique for determining optimal film exposure and development, formulated by Ansel Adams and Fred Archer. [1] Adams described the Zone System as "[...] not an invention of mine; it is a codification of the principles of sensitometry, worked out by Fred Archer and myself at the Art Center School in Los Angeles, around 1939–40."