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A busybody, meddler, nosey parker, or marplot is someone who meddles in the affairs of others. An early study of the type was made by the ancient Greek philosopher Theophrastus in his typology, Characters , "In the proffered services of the busybody there is much of the affectation of kind-heartedness, and little efficient aid."
Busybody Nora is a children's book written by Johanna Hurwitz and illustrated by Susan Jeschke. It was first published in 1976. It was Hurwitz's first book and was an early chapter book. Her daughter Naomi was the inspiration for Nora, and her son Ben was the inspiration for Teddy. [1]
The famous 'dumb scene' ensues. Sir George tries to address Miranda, but she refuses to speak. He tells her to speak using sign-language, but she deliberately uses the wrong signs. He then impersonates her, pretending to answer his questions on her behalf. As she does not speak, he fails to realise that Miranda is the same person as his ...
National character studies arose from a variety of approaches with Culture and Personality, including the configurationalist approach of Edward Sapir and Ruth Benedict, the basic personality structure developed by Ralph Linton and Abram Kardiner, and the modal personality approach of Cora DuBois.
This category should contain only sub-categories, and a small number of articles on people who have influenced literature but do not fit into any of the sub-categories. See also: Category:Literary characters
Author profiling is the analysis of a given set of texts in an attempt to uncover various characteristics of the author based on stylistic- and content-based features, or to identify the author. Characteristics analysed commonly include age and gender , though more recent studies have looked at other characteristics, like personality traits and ...
The essay sparked such a controversy in Britain, with responses from many major literary figures, that Miss Mitford was compelled a year later to bring out a thin book, Noblesse Oblige, with her disquisition on the subject as its centerpiece. Her argument, a set-piece even today among literary parlor games, was that the more elegant euphemism ...
Non-conformity to strict genre definitions is a commonly recognized facet of new weird fiction. In The 3rd Alternative forum debate, Miéville emphasized this fluidity in his post stating that "New Weird – like most literary categories – is a moment, a suggestion, a tease, an intervention, an attitude, above all an argument.