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Literature. This glossary of literary terms is a list of definitions of terms and concepts used in the discussion, classification, analysis, and criticism of all types of literature, such as poetry, novels, and picture books, as well as of grammar, syntax, and language techniques. For a more complete glossary of terms relating to poetry in ...
Comparative literature studies is an academic field dealing with the study of literature and cultural expression across linguistic, national, geographic, and disciplinary boundaries. Comparative literature "performs a role similar to that of the study of international relations but works with languages and artistic traditions, so as to ...
Don Quixote and his sidekick Sancho Panza, as illustrated by Gustave Doré: the characters' contrasting qualities [1] are reflected here even in their physical appearances. In any narrative, a foil is a character who contrasts with another character, typically, a character who contrasts with the protagonist, in order to better highlight or differentiate certain qualities of the protagonist.
The decadent movement was a response to the perceived decadence within the earlier Romantic, naturalist and realist movements in France at this time. [52] The decadent movement takes decadence in literature to an extreme, with characters who debase themselves for pleasure, [ 53 ] [ 54 ] and the use of metaphor, symbolism and language as tools ...
Différance. Différance is a French term coined by Jacques Derrida. It is central to Derrida's concept of deconstruction, a critical outlook concerned with the relationship between text and meaning. Roughly speaking, the method of différance is a way to analyze how signs (words, symbols, metaphors, etc) come to have meanings.
Intertextuality. Intertextuality is the shaping of a text's meaning by another text, either through deliberate compositional strategies such as quotation, allusion, calque, plagiarism, translation, pastiche or parody, [1][2][3][4][5] or by interconnections between similar or related works perceived by an audience or reader of the text. [6]
An assertion that texts outlive their authors, and become part of a set of cultural habits equal to, if not surpassing, the importance of authorial intent. A re-valuation of certain classic western dialectics: poetry vs. philosophy, reason vs. revelation, structure vs. creativity, episteme vs. techne, etc.
Defamiliarization. Defamiliarization or ostranenie (Russian: остранение, IPA: [ɐstrɐˈnʲenʲɪjə]) is the artistic technique of presenting to audiences common things in an unfamiliar or strange way so they could gain new perspectives and see the world differently. According to the Russian formalists who coined the term, it is the ...