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literary criticism, the reasoned consideration of literary works and issues. It applies, as a term, to any argumentation about literature, whether or not specific works are analyzed.
Literary criticism - Analysis, Interpretation, Theory: The debate over poetic truth may illustrate how modern discussion is beholden to extraliterary knowledge. Critics have never ceased disputing whether literature depicts the world correctly, incorrectly, or not at all, and the dispute has often had more to do with the support or condemnation ...
Deconstruction, form of philosophical and literary analysis, derived mainly from work begun in the 1960s by Jacques Derrida, that questions the fundamental conceptual distinctions in Western philosophy through a close examination of the language and logic of philosophical and literary texts.
New Criticism, post-World War I school of Anglo-American literary critical theory that insisted on the intrinsic value of a work of art and focused attention on the individual work alone as an independent unit of meaning. It was opposed to the critical practice of bringing historical or.
Historical criticism, literary criticism in the light of historical evidence or based on the context in which a work was written, including facts about the author’s life and the historical and social circumstances of the time.
Biblical literature - Literary Criticism, Canon, Texts: Literary criticism endeavours to establish the literary genres (types or categories) of the various biblical documents and to reach conclusions about their structure, date, and authorship.
Textual criticism, properly speaking, is an ancillary academic discipline designed to lay the foundations for the so-called higher criticism, which deals with questions of authenticity and attribution, of interpretation, and of literary and historical evaluation.
Freudian criticism, literary criticism that uses the psychoanalytic theory of Sigmund Freud to interpret a work in terms of the known psychological conflicts of its author or, conversely, to construct the author’s psychic life from unconscious revelations in his work.
Formalism, innovative 20th-century Russian school of literary criticism. It began in two groups: OPOYAZ , an acronym for Russian words meaning Society for the Study of Poetic Language, founded in 1916 at St. Petersburg (later Leningrad) and led by Viktor Shklovsky ; and the Moscow Linguistic Circle , founded in 1915.
In the Christian Middle Ages criticism suffered from the loss of nearly all the ancient critical texts and from an antipagan distrust of the literary imagination. Such Church Fathers as Tertullian, Augustine, and Jerome renewed, in churchly guise, the Platonic argument against poetry.