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Traditionally, the male presents a corsage or nosegay to the female as a gift, while the female would provide the boutonnière and pin it on the male's shirt or jacket. Given to a student by a date or parent to wear on homecoming day, homecoming mums are a tradition associated with the South and Midwest that is over 100 years old.
The gift of such valuable jewellery to a slave may have been used to demonstrate the wealth of her master: Courtney Ward draws a parallel between the bracelet of the Moregine woman and Terence's play Heauton Timorumenos, where a character owns ten slave girls, all of whom are dressed in expensive clothes and jewellery. [21]
Some couples want a flower girl in the wedding party to enhance the aisle with flower petals. Some view the flower girl as symbolically leading the bride forward, from childhood to adulthood. The flower girl follows the maid of honor, and may carry wrapped candies, confetti, a single bloom, a ball of flowers, or bubbles instead of flower petals.
This page was last edited on 25 December 2024, at 14:17 (UTC).; Text is available under the Creative Commons Attribution-ShareAlike 4.0 License; additional terms may apply.
The Flower Girl is a mid 19th-century painting by Irish-American artist Charles Cromwell Ingham. Done in oil on canvas, the painting depicts a young woman holding a bouquet of flowers. Done in oil on canvas, the painting depicts a young woman holding a bouquet of flowers.
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