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  2. List of typefaces designed by Morris Fuller Benton - Wikipedia

    en.wikipedia.org/wiki/List_of_typefaces_designed...

    Re-issued as Whittin Black and Whittin Black Condensed (1960) Cloister Black (1904), a blackletter design not connected to Benton's Cloister roman font. Usually credited to Joseph W. Phinney, but many authorities give full credit to Benton. It is an adaptation of Priory Text, an 1870s version of William Caslon’s Caslon Text of 1734.

  3. File:Warner Bros. Studios Burbank logo.svg - Wikipedia

    en.wikipedia.org/wiki/File:Warner_Bros._Studios...

    English: This is the 2024 Warner Bros. Studios Burbank logo, designed by Chermayeff & Geismar & Haviv for the WBD shield and MCKL for Warner Bros. Sans Bold and Warner Bros. Sans Condensed Bold typefaces.

  4. Benton Sans - Wikipedia

    en.wikipedia.org/wiki/Benton_Sans

    As Benton Gothic, there are 7 weights from Thin to Black and only 2 widths. When working for retail version of the font, the family was harmonized and given the new name called Benton Sans. In 2002-2003, Cyrus Highsmith added additional widths, weights, and italics to the typeface family, and the face was released for public use under the name ...

  5. Font - Wikipedia

    en.wikipedia.org/wiki/Font

    Narrower fonts are usually labeled compressed, condensed or narrow. In Frutiger's system, the second digit of condensed fonts is a 7. Wider fonts may be called wide, extended or expanded. Both can be further classified by prepending extra, ultra or the like. Compressing a font design to a condensed weight is a complex task, requiring the ...

  6. List of typefaces included with Microsoft Windows - Wikipedia

    en.wikipedia.org/wiki/List_of_typefaces_included...

    The "Included from" column indicates the first edition of Windows in which the font was ... Ink Free [6] Display: ... Bold, Bold Italic, Black, Black Italic: ...

  7. Century type family - Wikipedia

    en.wikipedia.org/wiki/Century_type_family

    A digital version named Benton Modern Text was first prepared by Font Bureau for the Boston Globe and the Detroit Free Press. It was designed by Tobias Frere-Jones and is based on Century Expanded, but the accompanying italic and bold are based upon Century Schoolbook and were designed by Richard Lipton and Christian Schwartz.