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"Golden Slumbers" is a song by the English rock band the Beatles from their 1969 album Abbey Road. Written by Paul McCartney and credited to Lennon–McCartney, [2] [3] it is the sixth song of the album's climactic B-side medley. The song is followed by "Carry That Weight" and begins the progression that leads to the end of the album.
The coda beginning "Cuando para mucho", which is an exact copy of the instrumental intro, is initially sung to a ii (F ♯ m 7 chord), which moves to V–I (B 6 to E 6 chords) on "cora-zon", then alternates back to ii (F ♯ m 7) on "Mundo paparazzi" and "Cuesto obrigato" before again V–I (B 6 –E 6) on "para-sol" and "carou-sel".
Your Mother Should Know: Brad Mehldau Plays The Beatles is a solo piano album by Brad Mehldau. [ 1 ] [ 2 ] It was recorded in September 2020 and released by Nonesuch Records on 10 February 2023. [ 3 ] [ 4 ]
The set ends with the closing section of the Abbey Road medley, from a stunning “Golden Slumbers” to a stirring “Carry That Weight”, and the realisation that McCartney could play an ...
Abbey Road is the eleventh studio album by the English rock band the Beatles, released on 26 September 1969, by Apple Records.It is the last album the group recorded, [2] although Let It Be (1970) was the last album completed before the band's break-up in April 1970. [3]
On last night's Blind Auditions, Kaylee Shimizu, a 17-year-old karaoke queen from Ewabeach, Hawaii, earned a four-chair turn from coaches John Legend, Niall Horan, Gwen Stefani and Reba McEntire ...
The Beatles began recording "Golden Slumbers"/"Carry That Weight" as one piece on 2 July 1969. [5] McCartney, Harrison, and Ringo Starr recorded 15 takes of the two songs [5] while Lennon was in a hospital recovering from a car accident in Scotland. [6] The rhythm tracks featured McCartney on piano, Harrison on bass guitar, and Starr on drums.
By the mid-1960s, the Beatles became interested in tape loops and found sounds. [36] [37] Early examples of the group sampling existing recordings include loops on "Revolution 9" [37] (the repetitive "number nine" is from a Royal Academy of Music examination tape, some chatter is from a conversation between George Martin and Apple office manager Alistair Taylor, and a chord from a recording of ...