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Ballet is a French word which had its origin in Italian balletto, a diminutive of ballo (dance) which comes from Latin ballo, ballare, meaning "to dance", [1] [2] which in turn comes from the Greek "βαλλίζω" (ballizo), "to dance, to jump about".
King Louis XIV's and France's attempt to keep French ballet standards high was only encouraged further when in 1672 a dance school was attached to the Académie Royale de Musique. [3] Led by Jean-Baptiste Lully, this ballet company is known today as the Paris Opera Ballet. The king was very exacting in his behavior towards his dancing.
Ballet is a strict form of art, [3] and the dancer must be very athletic and flexible. [4] Three ballet dancers performing a grand jeté jump Ángel Corella as Aminta in Frederick Ashton's version of the ballet Sylvia, 2005. Ballet dancers begin their classes at the barre, a wooden beam that runs along the walls of the ballet studio. Dancers ...
Chassé in ballet. The chassé (French:, French for 'chased'; sometimes anglicized to chasse / ʃ æ ˈ s eɪ, ʃ æ s /) is a dance step used in many dances in many variations. All variations are triple-step patterns of gliding character in a "step-together-step" pattern. The word came from ballet terminology.
Classical ballet is any of the traditional, formal styles of ballet that exclusively employ classical ballet technique. It is known for its aesthetics and rigorous technique (such as pointe work , turnout of the legs, and high extensions), its flowing, precise movements, and its ethereal qualities.
Character dance is a specific subdivision of classical dance. It is the stylized representation of a traditional folk or national dance, mostly from European countries, and uses movements and music which have been adapted for the theater. Character dance is integral to much of the classical ballet repertoire.
Andre, Paul; Arkadyev, V. (1999) Great History of Russian Ballet: Its Art & Choreography (1999). Bland, Alexander (1976). A History of Ballet and Dance in the Western World. New York: Praeger Publishers. ISBN 0-275-53740-4. Caddy, Davinia. (2012). The Ballets Russes and Beyond: Music and Dance in Belle-Epoque Paris. Cambridge: Cambridge ...
The corps de ballet sets the mood, scene, and nuance of the ballet, builds connection and camaraderie among the members of a ballet company, and creates large stage pictures through ensemble movement an choreography. [1] The corps de ballet is to a dance troupe as the spine is to the body: It provides framework, support, context, and aesthetic ...