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The Schuhplattler is a traditional style of folk dance popular in the Eastern Alps, specifically originating in Upper Bavaria, Tyrol, and Salzburg. In this dance, the performers stomp, clap, and strike the soles of their shoes (Schuhe), thighs, and knees with their hands held flat (platt). The more than 150 basic Schuhplattlers, as well as ...
The Ländler (German pronunciation:) is a European folk dance in 3 4 time. Along with the waltz and allemande, the ländler was sometimes referred to by the generic term German Dance in publications during the late 18th and early 19th centuries. [2] Despite its association with Germany, the ländler was danced in many European countries.
This is a list of dance categories, different types, styles, or genres of dance. For older and more region-oriented vernacular dance styles, see List of ethnic, regional, and folk dances by origin .
The following is a list with the most notable dances. Names of many Greek dances may be found spelt either ending with -o or with -os.This is due to the fact that the word for "dance" in Greek is a masculine noun, while the dance itself can also be referred to by a neuter adjective used substantively.
Western couple dancing is a form of social dance.Many different dances are done to country-western music. These dances include: Two Step, Waltz, Cowboy or Traveling Cha Cha, [2] Polka Ten Step [3] (also known as Ten Step Polka [4]), Schottische, and other Western promenade dances, East Coast Swing, West Coast Swing, and Nightclub Two Step.
Early documented cases of Schäfflertanz are dated by 1702 when the Münich magistrate approved the performance of the dance as a well-established tradition. [1] [2] However, for a long time the date 1517 was prevalent in the literature, following the 1830 book Der Schäffler-tanz in Münchhen [3] by Anton Baumgartner (1761–1831), who originated the discredited legend that the tradition ...
The German Dance, also known as Deutsche, Deutscher Tanz and Teutsche, was a generic term utilized in the late 18th and early 19th centuries for partner dances written in triple metre. These encompassed several different types of dances, including the waltz , ländler , and allemande .
The German composers Froberger and Bach followed suit in their allemandes for keyboard instruments, although ensemble allemandes kept a more traditional style. Italian and English composers were more free with the allemande, writing in counterpoint and using a variety of tempi (Corelli wrote allemandes ranging from largo to presto).