Search results
Results From The WOW.Com Content Network
The album was conceived as a spin-off project inspired by on-set conversations between filmmaker Zombie and actor Lew Temple, who portrayed 'Adam Banjo' in the film. [2] Soon after, Temple's long-time friend, Jesse Dayton (an Austin, Texas-based alt-country musician and songwriter) was approached to helm the project as producer and bandleader ...
He, along with Emory Lester was nominated by the International Bluegrass Music Association (IBMA) for a 2007 Instrumental Album of the Year award. [2] and presented with the 2012 Steve Martin Prize for Excellence in Banjo and Bluegrass. [3] He is a spokesman for the Deering Banjo Co., which named two Clawgrass model banjos after him. [4]
A Song for Everyone (1966) Bluegrass Gospel Favorites (1967) — with Benny Martin; reissued on CD as Gospel Songs from Cabin Creek; Don Reno & His Tennessee Cut-Ups (1966) Rural Rhythm Presents Don Reno & Bill Harrell with the Tennessee Cut-Ups (1967) A Variety of New Sacred Gospel Songs (1968) The Sensational Twin Banjos of Eddie Adcock and ...
It contains 15 songs and is the first album focusing on Martin as a musician. [2] Martin's 1977 comedy recording Let's Get Small, however, did feature him briefly playing the banjo during some of the comedy bits, and The Steve Martin Brothers devotes one side to banjo playing, including earlier renditions of some of the music presented here. It ...
Around 1967, he taught music lessons to Tom and Bill Gibson on banjo and guitar, respectively. In 1969, he joined the Glen Campbell Show as a replacement for John Hartford. [1] About five years later, he was working with Burl Ives and later with Smothers Brothers. [1] He formed the "Larry McNeely Trio" in 1975.
With music in general consistently evolving, country fans have to be on their A-game if they want to keep up with the best new tracks. To help out a little, there's an entire list of freshly ...
William "Dave" Evans (July 24, 1950 - June 26, 2017) was a tenor singer, banjo player, composer, and bluegrass band leader. He was noted for his powerful tenor vocal range and for his style which bridged traditional and contemporary bluegrass. [3]
His eye-rolling song-and-dance routines eventually led to his nickname "Banjo Eyes". In 1933, artist Frederick J. Garner caricatured Cantor with large round eyes resembling the drum-like pot of a banjo. Cantor's eyes became his trademark, often exaggerated in illustrations, and leading to his appearance on Broadway in the musical Banjo Eyes (1941).