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Turkmen carpet with three central gul medallions. A gul (also written gol, göl and gül) is a medallion-like design element typical of traditional hand-woven carpets from Central and West Asia. In Turkmen weavings they are often repeated to form the pattern in the main field.
There was also "kosh uyurma" pattern which was waved from the 3-4 layers of white and black threads. One of the main parts of the carpet is "chetki kora"; it is a train of the edges were used for its manufacture. Making of takir gilam (weaving technique) is a complex process, and they used an average of 12–14 kg of yarn.
Moquette is a type of woven pile fabric in which cut or uncut threads form a short dense cut or loop pile. The pile's upright fibres form a flexible, durable, non-rigid surface [1] with a distinctive velvet-like feel. Traditional moquette weave fabrics are made today from a wool nylon face with an interwoven cotton backing, and are ideally ...
A shyrdak on the floor of a home in Aksy District, Kyrgyzstan. A shyrdak (Kyrgyz: шырдак, pronounced [ʃɯrˈdɑq]) or syrmak (Kazakh: сырмақ, romanized: syrmaq, pronounced [səɾˈmɑq]) is a stitched, and often colourful felt [1] floor and wallcovering, usually handmade in Central Asia.
Azerbaijani carpet weaving (Azerbaijani: Azərbaycan xalça toxuculuğu) is a historical and traditional activity of the Azerbaijani people. The Azerbaijani carpet is a traditional handmade textile of various sizes, with dense texture and a pile or pile-less surface, whose patterns are characteristic of Azerbaijan's many carpet-making regions.
Handmade Berber carpet from Morocco A woman weaving a carpet using a handloom in 1961 in al-Qayrawan. Modern industrialized Berber carpets are distinguished by a loop pile construction type that gives a similar appearance to the distinct knot of traditionally woven Berber carpets. The modern carpets usually contain small flecks of dark colour ...
Soumak is a type of flat weave, somewhat resembling kilim, but with a stronger and thicker weave, a smooth front face and a ragged back, where kilim is smooth on both sides. Soumak lacks the slits characteristic of kilim, as it is usually woven with supplementary weft threads as continuous supports.
For the art of carpet weaving in Persia, this meant, as Edwards wrote: "that in a short time it rose from a cottage métier to the dignity of a fine art." [25] The time of the Safavid dynasty marks one of the greatest periods in Persian art, which includes carpet weaving. Later Safavid period carpets still exist, which belong to the finest and ...