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The Byzantine chant was added by UNESCO in 2019 to its list of Intangible Cultural Heritage "as a living art that has existed for almost 2,000 years, the Byzantine chant is a significant cultural tradition and comprehensive music system forming part of the common musical traditions that developed in the Byzantine Empire."
Cretan music, like most of the traditional Greek music, began as product of ancient, Byzantine music, with western and eastern inspirations. The first recorded reference to lyra was in the 9th century by the Persian geographer Ibn Khurradadhbih (d. 911); in his lexicographical discussion of instruments, he cited the lyre (lūrā) as the typical ...
The Byzantine lyra or lira (Greek: λύρα) was a medieval bowed string musical instrument in the Byzantine (Eastern Roman) Empire. In its popular form, the lyra was a pear-shaped instrument with three to five strings , held upright and played by stopping the strings from the side with the fingertips and fingernails.
The music of Greece is as diverse and celebrated as its history.Greek music separates into two parts: Greek traditional music and Byzantine music.These compositions have existed for millennia: they originated in the Byzantine period and Greek antiquity; there is a continuous development which appears in the language, the rhythm, the structure and the melody. [1]
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Nektaria Karantzi (Greek: Νεκταρία Καραντζή; born 5 August 1982 in Greece) is a Byzantine and traditional singer from Greece.. Her voice is primarily associated with Byzantine music, and she is regarded as one of the most important voices in the Byzantine tradition.
This refers to the traditional Greek popular songs and music of mainland Greece and islands, which date back to the Byzantine times. [1] It was the sole popular musical genre of the Greek people until the spread of Rebetiko and Laiko (other genres of folk music) in the early 20th century, spread by the Greek refugees from Asia Minor. [ 2 ]
The music reaches a climax after the sixth intonation of alleluia with the lines "Weeping at the grave creates the song: Alleluia. Come, enjoy rewards and crowns I have prepared for you." Alleluia is then sung a seventh time as a coda. Following the example of traditional Byzantine music, a continuous ison [7] or drone underlies the work. [4]