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Revolting Rhymes is a 1982 poetry collection by British author Roald Dahl.Originally published under the title Roald Dahl's Revolting Rhymes, it is a parody of traditional folk tales in verse, where Dahl gives a re-interpretation of six well-known fairy tales, featuring surprise endings in place of the traditional happily-ever-after finishes.
Several collections of Poe's prose and poetry followed. The precursor to Tales of Mystery and Imagination was a collection of Poe's works entitled Tales of Mystery, Imagination and Humor. The title "Tales of Mystery and Imagination" was first used by "The World's Classics", London, and printed by Grant Richard, 48 Leicester Sq. in 1902.
Phenomenal Woman: Four Poems Celebrating Women is a book of poems by Maya Angelou, published in 1995. [1] The poems in this short volume were published in Angelou's previous volumes of poetry. "Phenomenal Woman," "Still I Rise," and "Our Grandmothers" appeared in And Still I Rise (1978) and "Weekend Glory" appeared in Shaker, Why Don't You Sing ...
Frank Sinatra Conducts Tone Poems of Color is a 1956 album of short tone poems by eight notable mid-20th century Hollywood composers. The album was conducted by Sinatra and marked the first musical collaboration between Sinatra and Gordon Jenkins. Each composition was inspired by the poetry of Norman Sickel.
[24] [25] Poetry paid Kilmer six dollars to print the poem, [5] which was immediately successful. [26] The following year, Kilmer included "Trees" in his collection Trees and Other Poems published by the George H. Doran Company. [3] Joyce Kilmer's reputation as a poet is staked largely on the widespread popularity of this one poem.
An asterisk indicates that this poem, or part of this poem, occurs elsewhere in the fascicles or sets but its subsequent occurrences are not noted. Thus "F01.03.016*" indicates the 16th poem within fascicle #1, which occurs on the 3rd signature or sheet bound in that fascicle; and that this poem (or part of it) also recurs elsewhere in the ...
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"The Road Not Taken" is a narrative poem by Robert Frost, first published in the August 1915 issue of the Atlantic Monthly, [1] and later published as the first poem in the 1916 poetry collection, Mountain Interval. Its central theme is the divergence of paths, both literally and figuratively, although its interpretation is noted for being ...