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Interior of the Canterbury Hall, an early example of a music hall, opened 1852 in Lambeth.. Early British popular music, in the sense of commercial music enjoyed by the people, can be seen to originate in the 16th and 17th centuries with the arrival of the broadside ballad as a result of the print revolution, which were sold cheaply and in great numbers until the 19th century.
English music history (5 C, 8 P) Scottish music history (3 C, 11 P) ... English art song; G. Beth Gibbons; Glastonbury Festival (1914–1925) H. Handel Festival 1857; L.
In the strictest sense, English folk music has existed since the arrival of the Anglo-Saxon people in Britain after 400 AD. The Venerable Bede's story of the cattleman and later ecclesiastical musician Cædmon indicates that in the early medieval period it was normal at feasts to pass around the harp and sing 'vain and idle songs'. [1]
The Caller (folk song) Can't Help Thinking About Me; The Cat Sat Asleep by the Side of the Fire; Catcheside-Warrington's Tyneside Songs; Catcheside-Warrington's Tyneside Stories & Recitations; John W. Chater; Chater's Annual; Cherry Ripe (song) Child Ballads; The Cliffs of Old Tynemouth; Cob coaling; Cock a doodle doo; Cock Robin; A Collection ...
English Miniature from a manuscript of the Roman de la Rose. Music in the British Isles, from the earliest recorded times until the Baroque and the rise of recognisably modern classical music, was a diverse and rich culture, including sacred and secular music and ranging from the popular to the elite. [11]
Industrial folk music, industrial folk song, industrial work song or working song is a subgenre of folk or traditional music that developed from the 18th century, particularly in Britain and North America, with songs dealing with the lives and experiences of industrial workers.
Surviving sources indicate that there was a rich and varied musical soundscape in medieval Britain. [1] Historians usually distinguish between ecclesiastical music, designed for use in church, or in religious ceremonies, and secular music for use from royal and baronial courts, celebrations of some religious events, to public and private entertainments of the people. [1]
In music history, the music of the English Renaissance is noted for its complex polyphonic vocal music, both sacred and secular, and the emergence of instrumental music. With the gradual shift in the early Baroque period, England experienced a decline in musical standing among European nations.