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The first orchestral recording of The Firebird was released by Columbia Records in 1928 with Stravinsky conducting L'Orchestre des Concerts Straram. [129] [130] The 78 rpm record consisted of the 1911 suite with the Lullaby and Finale from the 1919 suite, as well as a recording of The Rite of Spring. [130]
The Firebird was premiered on 25 June 1910, with Tamara Karsavina in the main role, and was a great public success. [10] This ensured that the Diaghilev–Stravinsky collaboration would continue, in the first instance with Petrushka (1911) and then The Rite of Spring. [6]
In the fall of 1910, Diaghilev came to visit Stravinsky, who at that time was living in Lausanne, Switzerland, expecting to hear the beginning of The Rite of Spring, but instead was greeted with Petrushka. Diaghilev immediately recognized the possibilities of developing this orchestral work into a full length stage work.
In the following years, Diaghilev commissioned Stravinsky to write three ballets: The Firebird (1910), Petrushka (1911), and The Rite of Spring (1913). [9] These ballets remain Stravinsky's most famous works today. [10] [11] [12] [13]
This is a sound and video discography of Igor Stravinsky's ballet The Rite of Spring. The work was premiered in Paris on May 29, 1913 at the Théâtre des Champs-Élysées. It was presented by Sergei Diaghilev's Ballets Russes with choreography by Vaslav Nijinsky and was conducted by Pierre Monteux. The list includes many of the most noted ...
Stravinsky's third ballet, The Rite of Spring, caused a near-riot at the premiere due to its avant-garde nature. [60] He had begun to experiment with polytonality in The Firebird and Petrushka, but for The Rite of Spring, he "pushed [it] to its logical conclusion," as Eric Walter White described it. [209]
While completing The Firebird during the spring of 1910, Stravinsky had a "vision" of a solemn pagan rite: sage elders, seated in a circle, watching a young girl dance herself to death. They were sacrificing her to propitiate the god of Spring. Such was the theme of The Rite of Spring. [4]
The Firebird (1910) was seen as an astonishingly accomplished work for such a young artist (Debussy is said to have remarked drily: "Well, you've got to start somewhere!"). Many contemporary audiences found Petrushka (1911) to be almost unbearably dissonant and confused. The Rite of Spring (1913) nearly caused an audience riot. It stunned ...