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  2. Guitar chord - Wikipedia

    en.wikipedia.org/wiki/Guitar_chord

    The suspended fourth chord is often played inadvertently, or as an adornment, by barring an additional string from a power chord shape (e.g., E5 chord, playing the second fret of the G string with the same finger barring strings A and D); making it an easy and common extension in the context of power chords.

  3. Open G tuning - Wikipedia

    en.wikipedia.org/wiki/Open_G_tuning

    Among alternative tunings for the guitar, an open G tuning is an open tuning that features the G-major chord; its open notes are selected from the notes of a G-major chord, such as the G-major triad (G,B,D). For example, a popular open-G tuning is D–G–D–G–B–D (low to high).

  4. List of chords - Wikipedia

    en.wikipedia.org/wiki/List_of_chords

    List of musical chords Name Chord on C Sound # of p.c.-Forte # p.c. #s Quality Augmented chord: Play ...

  5. Parallel and counter parallel - Wikipedia

    en.wikipedia.org/wiki/Parallel_and_counter_parallel

    Dominant and dominant parallel in C major: GM and Em chords Play ⓘ. Dominant and dominant parallel in C minor: Gm and B ♭ M chords Play ⓘ. The similarity between the subdominant and supertonic chords is easily seen and heard through the supertonic seventh chord Play ⓘ.

  6. List of guitar tunings - Wikipedia

    en.wikipedia.org/wiki/List_of_guitar_tunings

    Alternative variants are easy from this tuning, but because several chords inherently omit the lowest string, it may leave some chords relatively thin or incomplete with the top string missing (the D chord, for instance, must be fretted 5-4-3-2-3 to include F#, the tone a major third above D). Baroque guitar standard tuning – a–D–g–b–e

  7. I–V–vi–IV progression - Wikipedia

    en.wikipedia.org/wiki/I–V–vi–IV_progression

    The progression is also used entirely with minor chords[i-v-vii-iv (g#, d#, f#, c#)] in the middle section of Chopin's etude op. 10 no. 12. However, using the same chord type (major or minor) on all four chords causes it to feel more like a sequence of descending fourths than a bona fide chord progression.