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The Ethiopian Golden Age of Music was an era of Ethiopian music that began around the 1960s to 1970s, until the Derg regime progressively diminished its presence through politically motivated persecutions and retributions against musicians and companies, which left many to self-imposed exile to North America and Europe.
Éthiopiques is a series of compact discs featuring Ethiopian singers and musicians. Many of the CDs compile songs from various singles and albums that Amha Records, Kaifa Records and Philips-Ethiopia released during the 1960s and 1970s in Ethiopia.
This list includes artists that perform in traditional gospel music genres such as Southern gospel, traditional black gospel, urban contemporary gospel, gospel blues, Christian country music, Celtic gospel and British black gospel as well as artists in the general market who have recorded music in these genres.
Complex rhythms: Ethiopian music is known for its intricate rhythmic patterns, as with the case for many African music, often featuring irregular meters and syncopation. Vocal styles: Traditional Ethiopian singing includes a variety of vocal techniques, such as melismatic, ornamentation, vocal slides, and call-and-response structures.
Mulatu recorded Mulatu of Ethiopia (1972) in New York City, but most of his music was released by Amha Eshete's label Amha Records in Addis Ababa, Ethiopia, including several singles, his album Yekatit Ethio Jazz (1974), and six out of the ten tracks on the compilation album Ethiopian Modern Instrumentals Hits.
Here he re-opened Ayalew Music Shop. [5] In 2000, Mesfin was featured on Éthiopiques’ 8th volume. Later in 2009, he was featured on Golden Years of Modern Ethiopian Music, 1969–1975. Because most of his music was recorded between 1973 and 1977, a time of great political turmoil, and most of the documents regarding copyright were tied up in ...
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Ethiopian playwright Tsegaye Gabre-Medhin incorporated Telela's gifted singing voice in his 1974 play; Ha Hu Besidist Wer. [2] In that same year, Telela Kebede was briefly (three months) sent to prison by the newly installed Derg regime for singing a song, " Lomi Tera Tera " (lit., Lemon quarters); that warned of the dissolution of her country.