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bōten (傍点, "side dot") wakiten (脇点, "side dot") kurogoma (黒ゴマ, "sesame dot") shirogoma (白ゴマ, "white sesame dot") Adding these dots to the sides of characters (right side in vertical writing, above in horizontal writing) emphasizes the character in question. It is the Japanese equivalent of the use of italics for emphasis in ...
A number of Eastern emoticons were originally developed on the Japanese discussion site 2channel. Some of these are wider (made up of more characters) than usual kaomoji, or extend over multiple lines of text. Many use characters from other character sets besides Japanese and Latin.
Anime forum posters at sometime in the 2000s began using the Japanese style kaomoji. [8] As a result, Americans and westerners began to use various kaomoji, often referring to them as emoticons. [9] Some of the designs did differ, mainly due to the differences between western and Japanese keyboards. [10]
Gyaru-moji (ギャル文字, "gal's alphabet") or heta-moji (下手文字, "poor handwriting") is a style of obfuscated Japanese writing popular amongst urban Japanese youth. As the name gyaru-moji suggests (gyaru meaning "gal"), this writing system was created by and remains primarily employed by young women. [1]
Japanese manga has developed a visual language or iconography for expressing emotion and other internal character states. This drawing style has also migrated into anime, as many manga are adapted into television shows and films and some of the well-known animation studios are founded by manga artists.
The ellipsis was adopted into Japanese from European languages. The ellipsis is often three dots or six dots (in two groups of three dots), though variations in number of dots exist. The dots can be either on the baseline or centred between the baseline and the ascender when horizontal; the dots are centred horizontally when vertical. Other uses:
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The dakuten (Japanese: 濁点, Japanese pronunciation: [dakɯ̥teꜜɴ] or [dakɯ̥teɴ], lit. "voicing mark"), colloquially ten-ten (点々, "dots"), is a diacritic most often used in the Japanese kana syllabaries to indicate that the consonant of a mora should be pronounced voiced, for instance, on sounds that have undergone rendaku (sequential voicing).