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Minka (Japanese: 民家, lit. "folk houses") are vernacular houses constructed in any one of several traditional Japanese building styles. In the context of the four divisions of society, Minka were the dwellings of farmers, artisans, and merchants (i.e., the three non-samurai castes). [1]
In traditional Japanese architecture, there are various styles, features and techniques unique to Japan in each period and use, such as residence, castle, Buddhist temple and Shinto shrine. On the other hand, especially in ancient times, it was strongly influenced by Chinese culture like other Asian countries, so it has characteristics common ...
The Tōmatsu house from Funairi-chō, Nagoya, is an example of a large machiya. Machiya façade in Kyoto Old fabric shop in Nara. Machiya (町屋/町家) are traditional wooden townhouses found throughout Japan and typified in the historical capital of Kyoto.
Traditional-style Sukiya-zukuri A public housing building provided by the government of Tokyo A house with an old-style thatched roof near Mount Mitake, Tokyo. Housing in Japan includes modern and traditional styles.
Nagaya (長屋, "longhouse") is a type of Japanese rowhouse that was typical during the Edo period (1603–1868). [ 1 ] Nagaya was a long housing complex under the same ridge, one or two stories high, divided into small compartments for rent.
Shoin-zukuri (Japanese: 書院造, 'study room architecture') is a style of Japanese architecture developed in the Muromachi, Azuchi–Momoyama and Edo periods that forms the basis of today's traditional-style Japanese houses.
Since the shinden-zukuri-style house flourished during the Heian period, houses tended to be furnished and adorned with characteristic art of the era. In front of the moya across the courtyard is a garden with a pond. Water runs from a stream (yarimizu 遣水) into a large pond to the south of the courtyard.
MoMA initiated their series of "House in the Garden" exhibitions in the courtyard of the Museum in 1949. Architectural director Philip Johnson and curator Arthur Drexler recognized the correspondence between modernism in the Western house and traditional Japanese architecture and proposed to build a Japanese house as the third exhibit of the series.