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The entire work, except the coda, consists wholly of semiquaver (sixteenth note) arpeggios, spanning large lengths of the keyboard in the space of one bar. The initial theme is expounded upon and changes to many different keys.
Based on classical conditioning, repeated pairing of the music with the intention of sleep can generate a conditioned response. By forming this habit, music alone would be effective in triggering a relaxation response, which signals the body that it is time to sleep.
Like an ocean bird set free; Like the ocean bird, our home We'll find far out on the sea. (Chorus) A life on the ocean wave, A home on the rolling deep, Where the scattered waters rave, and the winds their revels keep, The winds, the winds, the winds their revels keep, (the winds, the winds, the winds their revels keep). The land is no longer ...
Ocean's Kingdom is the fifth classical album by Paul McCartney. It is the score of the ballet of the same name , commissioned by the New York City Ballet . It was performed by the London Classical Orchestra and conducted by John Wilson.
Included are natural sounds (including some made by animals), musical selections from different cultures and eras, spoken greetings in 59 languages, [1] [2] human sounds like footsteps and laughter, [3] and printed messages from President Jimmy Carter and U.N. Secretary-General Kurt Waldheim.
Doctor Sleep (Original Motion Picture Soundtrack) is the film score soundtrack to the 2019 film Doctor Sleep, directed by Mike Flanagan.An adaptation of the 2013 novel of the same name by Stephen King and sequel to Stanley Kubrick's 1980 film The Shining, the film's musical score is composed by the Newton Brothers whose score draws influences from the music of the predecessor and incorporated ...
After a quiet introduction, the main theme starts at bar 5, with the left hand playing broken chords in legato slurs throughout the section, imparting a haunting and continuous quality to the music. The theme then shifts to a dreamy pianissimo in bar 21, before returning to the original theme in bar 47, and finally ending in C ♯ major .
Ned Raggett of AllMusic praised Surfing on Sine Waves as "a great collection of abstract electronic/dance madness, caught somewhere between the driftiness of his more ambient works at the time and the rave-minded nuttiness of 'Digeridoo.'" [10] Mark Richard-San of Pitchfork wrote, "Catchy, melodic and memorable tracks are what made the Aphex Twin so wonderful at his best; Surfing on Sine Waves ...