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A type of cut from one shot to another where the composition of each shot is matched to the other by the action or subject matter depicted; e.g. in a scene depicting a duel, a long shot showing both of the duellists might cut to a close-up shot of one of the duellists in the midst of the action. Match cuts are precisely timed and coordinated so ...
These are not merely catchy sayings. Even though some sources may identify a phrase as a catchphrase, this list is for those that meet the definition given in the lead section of the catchphrase article and are notable for their widespread use within the culture. This list is distinct from the list of political catchphrases.
In the post-production process of film editing and video editing, a cut is an abrupt, but usually trivial film transition from one sequence to another. [1] It is synonymous with the term edit, though "edit" can imply any number of transitions or effects. The cut, dissolve, and wipe serve as the three primary transitions. The term refers to the ...
The cut is the most basic and common type of transition. In a cut, one image on the screen is instantly replaced by another, often with a change in camera angle. Shot A ends abruptly and shot B begins. [4] Cuts can be classified into different types, [5] as detailed below.
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In this manifestation the phrase came into common use in unrelated contexts. [ 4 ] "Meanwhile, back at the ranch" is the title of a children's book by Trinka Hakes Noble; [ 5 ] a crime novel by Kinky Friedman ; [ 6 ] of the first album of the German country band Texas Lightning ; and is the root of the name of the English band Meanwhile, back ...
Films and videos may cut away from the main story to show related scenery or action. Establishing shots may be used to show the audience the context of the story. These secondary images are often presented without sound, or with very low level sound, as the sound from the primary footage is expected to continue while the other images are shown.
"Ease-in" and "ease-out" in digital animation typically refer to a mechanism for defining the physics of the transition between two animation states, i.e., the linearity of a tween. [8] For example, an ease-in transition would start the animation out slowly, and then progressively get faster as the animation continues.