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Le Spectre de la rose (The Spirit of the Rose) is a short ballet about a young girl who dreams of dancing with the spirit of a souvenir rose from her first ball. [1] The ballet was written by Jean-Louis Vaudoyer who based the story on a verse by Théophile Gautier and used the music of Carl Maria von Weber's piano piece Aufforderung zum Tanz (Invitation to the Dance) as orchestrated by Hector ...
Nijinsky in Le Spectre de la Rose (1911) Nijinsky took the creative reins and choreographed ballets which pushed boundaries and stirred controversy. His ballets were L'après-midi d'un faune (The Afternoon of a Faun, based on Claude Debussy's Prélude à l'après-midi d'un faune) (1912); Jeux (1913); and Till Eulenspiegel (1916). These ...
He applauded Nijinsky in Le Spectre de la Rose, which Michel Fokine choreographed, and said that this was the kind of ballet that should be performed for the public. [17] Cartoon by Daniel de Losques published in Le Figaro, 30 May 1912. Diaghilev responded to Calmette by forwarding letters of support to Le Figaro which they published the ...
Je suis le spectre d'une rose Que tu portais hier au bal. Tu me pris, encore emperlée Des pleurs d'argent, de l'arrosoir, Et parmi la fête étoilée Tu me promenas tout le soir. Ô toi qui de ma mort fus cause, Sans que tu puisses le chasser, Toutes les nuits mon spectre rose À ton chevet viendra danser. Mais ne crains rien, je ne réclame
Poster by Jean Cocteau for the 1911 Ballet Russe season showing Nijinsky in costume for Le Spectre de la rose, Paris. The Ballets Russes (French: [balɛ ʁys]) was an itinerant ballet company begun in Paris that performed between 1909 and 1929 throughout Europe and on tours to North and South America.
Fokine's ballet Le Spectre de la Rose (1911) showcased Nijinsky as the spirit of the rose given to a young girl. Nijinsky's exit featured a grand jeté out of the young girl's bedroom window, timed so the audience would last see him suspended in mid-air.
During her years with the company, she created many of her most famous roles in the ballets of Mikhail Fokine, including Petrushka and Le Spectre de la Rose. She danced the latter with Harold Turner. [22] She was perhaps most famous for creating the title role in Fokine's The Firebird with Vaslav Nijinsky, her occasional partner.
He also danced the lead roles in the Paquita Grand Pas Classique, Le Spectre de la Rose, Chopiniana, and Jewels. In 2007, he danced the lead role of Zéphyr in the première of Sergei Vikharev's reconstruction of Marius Petipa's one act ballet, The Awakening of Flora.